Border Spaces

Visualizing the U.S.-Mexico Frontera
Erscheinungsjahr 2018
ISBN: 978-0-8165-3946-8
Verlag: University of Arizona Press

Buch, Englisch, 248 Seiten, Paperback, Format (B × H): 152 mm x 229 mm, Gewicht: 408 g

The built environment along the U.S.-Mexico border has long been a hotbed of political and creative action. In this volume, the historically tense region and visually provocative margin--the southwestern United States and northern Mexico--take center stage. From the borderlands perspective, the symbolic importance and visual impact of border spaces resonate deeply.

In Border Spaces, Katherine G. Morrissey, John-Michael H. Warner, and other essayists build on the insights of border dwellers, or fronterizos, and draw on two interrelated fields--border art history and border studies. The editors engage in a conversation on the physical landscape of the border and its representations through time, art, and architecture.

The volume is divided into two linked sections--one on border histories of built environments and the second on border art histories. Each section begins with a ""conversation"" essay--co-authored by two leading interdisciplinary scholars in the relevant fields--that weaves together the book's thematic questions with the ideas and essays to follow.

Border Spaces is prompted by art and grounded in an academy ready to consider the connections between art, land, and people in a binational region.

Autoren/Hrsg.

Morrissey, Katherine G

Warner, John-Michael H

Fachgebiete

• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Regional- & Stadtgeschichte
• Geisteswissenschaften Kunst Kunstformen, Kunsthandwerk

Über Autor(innen)

Katherine G. Morrissey, associate professor of history at the University of Arizona, is the author of Mental Territories: Mapping the Inland Empire. She co-edited Picturing Arizona: The Photographic Record of the 1930s with Kirsten Jensen.

John-Michael H. Warner is an assistant professor of contemporary art history at Kent State University, where he teaches contemporary and American art, photography, and environmental art history.