Sounds

The Ambient Humanities
1. Auflage 2015
ISBN: 978-0-520-28462-3
Verlag: University of California Press

Buch, Englisch, 184 Seiten, Cloth Over Boards, Format (B × H): 158 mm x 239 mm, Gewicht: 380 g

This is not a book about sound. It is a study of sounds that aims to write the resonance and response they call for. John Mowitt seeks to critique existing models in the expanding field of sound studies and draw attention to sound as an object of study that solicits a humanistic approach encompassing many types of sounds, not just readily classified examples such as speech, music, industrial sounds, or codified signals. Mowitt is particularly interested in the fact that beyond hearing and listening we “audit” sounds and do so by drawing on paradigms of thought not easily accommodated within the concept of "sound studies." To draw attention to the ways in which sounds often are not perceived for the social and political functions they serve, each chapter presents a culturally resonant sound—including a whistle, an echo, a gasp, and silence—to show how sounds enable critical social and political concepts such as dialogue, privacy, memory, social order, and art-making. Sounds: The Ambient Humanities significantly engages, provokes, and contributes to the dynamic field and inquiry of sound studies.

Autoren/Hrsg.

Mowitt, John

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musikpsychologie, Musiksoziologie
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musiktheorie, Musikästhetik, Kompositionslehre
• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Kulturwissenschaften

Inhaltsverzeichnis

Acknowledgments

INTRODUCTION: SQUAWKING
1. ECHO
2. WHISTLE
3. WHISPER
4. GASP
5. SILENCE
6. TERCER SONIDO

Notes
Works Cited
Index

Über Autor(innen)

John Mowitt holds the Leadership Chair in the Critical Humanities at the University of Leeds. He is the author of several books, including Radio: Essays in Bad Reception, Percussion: Drumming, Beating, Striking, and Re-takes: Postcoloniality and Foreign Film Languages.