Napoli / Tronzo Radical Marble

Architectural Innovation from Antiquity to the Present
1. Auflage 2018
ISBN: 978-1-351-17414-5
Verlag: Taylor & Francis
Format: EPUB
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 190 Seiten

Reihe: Routledge Research in Art History

Marble is one of the great veins through the architectural tradition and fundamental building block of the Mediterranean world, from the Parthenon of mid-fifth century Athens, which was constructed of pentelic marble, to Justinian’s Hagia Sophia in Constantinople and the Renaissance and Baroque basilica of St. Peter’s in the Vatican. Scholarship has done much in recent years to reveal the ways and means of marble. The use of colored marbles in Roman imperial architecture has recently been the subject of a major exhibition and the medieval traditions of marble working have been studied in the context of family genealogies and social networks. In addition, architectural historians have revealed the meanings evoked by marble revetted and paved surfaces, from Heavenly Jerusalem to frozen water. The present volume builds upon the body of recent and emerging research - from antiquity to the present day - to embrace a global focus and address the more unusual (or at least unexpected) uses, meanings, and aesthetic appeal of marble. It presents instances where the use of marble has revolutionized architectural practice, suggested new meaning for the built environment, or defined a new aesthetic - moments where this well-known material has been put to radical use.

Autoren/Hrsg.

Napoli, J. Nicholas

Tronzo, William

Fachgebiete

• Geisteswissenschaften Kunst Kunst, allgemein
• Geisteswissenschaften Architektur Geschichte der Architektur, Baugeschichte

Inhaltsverzeichnis

Inroduction: J. Nicholas Napoli and William Tronzo
Chapter 1. Decoration as Deliberate Design: the Strategic Display of Polychrome Marbles at the Baths of CaracallaMaryl B. Gensheimer
Chapter 2. Justinian’ s Hagia Sophia, angels and restlessnessWilliam TronzoChapter 3. Controversial Continuities. Giacinto Gimma and the Art of Marble IntarsiaJoris van Gastel
Chapter 4. ‘In Bright tints. Nature’s Own Formation’: the Uses and Meaning of Marble in Victorian Building Culture G. A. Bremner
Chapter 5. The Silent Seed of Modernity: How Marble made Rationalism Daniele VadalàChapter 6. "In consequence of their whiteness": Photographing Marble Sculpture from Talbot to Today Geraldine Johnson
Chapter 7. The Radical Politics of Marble in Fascist ItalyDavid Rifkind
Bibliography

Über Autor(innen)

J. Nicholas Napoli (Ph.D. Princeton) lives in Brooklyn and currently workswith GKV Architects in New York; previously, he taught History of Art and Architecture at the University of York, University of Virginia, and Pratt Institute. He was a visiting senior fellow at the Center for Advanced Study in the Visual Arts in 2013, and published his book on the Certosa di San Martino in Naples with Ashgate in 2015.

William Tronzo (Ph.D. Harvard) is Senior Teaching Professor in History of Art, Architecture and Landscape and Director of European Studies at the University of California, San Diego.