Muqarnas 31

Erscheinungsjahr 2014
ISBN: 978-90-04-27742-7
Verlag: Brill

Buch, Englisch, Band 31, 306 Seiten, Format (B × H): 218 mm x 277 mm, Gewicht: 1338 g

Reihe: Muqarnas

Muqarnas: An Annual on the Visual Cultures of the Islamic World is sponsored by the Aga Khan Program for Islamic Architecture at Harvard University and the Massachusetts Institute of Technology, Cambridge, Massachusetts.

Muqarnas 31 contains articles spanning the vast parameters (both geographic and disciplinary) of the field of Islamic art and architecture, from Iberia to Central Europe to the Subcontinent, from the Madinat al-Zahra in Cordoba to Ottoman textiles and costumes to Mughal painting. The volume also contains essays on lusterware produced in Seville in the Taifa period; gardens in the fourteenth-century text Bagh-i Samanzar-i Nushab; the Elvan Celebi complex in Anatolia; and Seljuq-era stucco sculptures from Iran.

Authors include Susana Capilla, Stephan Heidemann, Benjamin Anderson, Hamidreza Jayhani, Heike Franke, Amanda Phillips, Adam Jasienski, and Ulrich Marzolph, with contributions to the “Notes and Sources” section by Carmen Barceló and Anja Heidenreich, and Deniz Türker.

Autoren/Hrsg.

Necipoglu, Gülru

Leal, Karen

Fachgebiete

• Geisteswissenschaften Islam & Islamische Studien Islam: Literatur & Kunst
• Geisteswissenschaften Architektur Geschichte der Architektur, Baugeschichte
• Geisteswissenschaften Kunst Kunststile Islamische Kunst

Inhaltsverzeichnis

Table of Contents

Susana Calvo Capilla, THE REUSE OF CLASSICAL ANTIQUITY IN THE PALACE OF MADINAT AL-ZAHRA' AND ITS ROLE IN THE CONSTRUCTION OF CALIPHAL LEGITIMACY

Stefan Heidemann, Jean-François de Lapérouse, and Vicki Parry, THE LARGE AUDIENCE: LIFE-SIZED STUCCO FIGURES OF ROYAL PRINCES FROM THE SELJUQ PERIOD

Benjamin Anderson, THE COMPLEX OF ELVAN ÇELEBI: PROBLEMS IN FOURTEENTH-CENTURY ARCHITECTURE

Hamidreza Jayhani, BAGH-I SAMANZAR-I NuSHAB: TRACING A LANDSCAPE, BASED ON THE BRITISH LIBRARY MASNAVI¯ OF HUMA¯Y U HUMA¯YU¯N

Heike Franke, EMPERORS OF SuRAT AND MACNI: JAHANGIR AND SHAH JAHAN AS TEMPORAL AND SPIRITUAL RULERS

Amanda Phillips, A MATERIAL CULTURE: OTTOMAN VELVETS AND THEIR OWNERS, 1600–1750

Adam Jasienski, A SAVAGE MAGNIFICENCE: OTTOMANIZING FASHION AND THE POLITICS OF DISPLAY IN EARLY MODERN EAST-CENTRAL EUROPE

Ulrich Marzolph, FROM MECCA TO MASHHAD: THE NARRATIVE OF AN ILLUSTRATED SHI'I PILGRIMAGE SCROLL FROM THE QAJAR PERIOD

Notes and Sources

Carmen Barceló and Anja Heidenreich, LUSTERWARE MADE IN THE ABBADID TAIFA OF SEVILLE (ELEVENTH CENTURY) AND ITS EARLY PRODUCTION IN THE MEDITERRANEAN REGION

Deniz Türker, HAKKY-BEY AND HIS JOURNAL LE MIROIR DE L’ART MUSULMAN, OR, MIR'AT-I SANAYI'-I ISLAMIYE (1898)

Über Autor(innen)

Gülru Necipoglu, (Ph.D., Harvard University, 1986) is the Aga Khan Professor of Islamic Art and Architecture at Harvard University. She has been the editor of Muqarnas since 1993.