Affective Intensities in Extreme Music Scenes

Cases from Australia and Japan
1. Auflage 2014
ISBN: 978-1-349-48804-9
Verlag: Palgrave Macmillan UK

Buch, Englisch, 211 Seiten, Format (B × H): 140 mm x 216 mm, Gewicht: 2873 g

Reihe: Pop Music, Culture and Identity

An ethnographic study of gender, place and belonging, Affective Intensities introduces readers to the embodied sensations, flows and experiences of being in extreme music scenes in Australia and Japan.

Zielgruppe

Research

Autoren/Hrsg.

Overell, R.

Fachgebiete

• Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein
• Sozialwissenschaften Soziologie | Soziale Arbeit Altersgruppen Kinder- und Jugendsoziologie
• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Kulturwissenschaften
• Sozialwissenschaften Soziologie | Soziale Arbeit Soziologie Allgemein

Inhaltsverzeichnis

Contents Introduction 1. A Grisly Scene? Extreme Metal Music, Belonging and Ethnography 2. Brutal Belonging in Brutal Spaces 3. Idiots and Wankers: Grindcore Sociality 4. I Hate Girls and Emotions: Brutal Sociality 5. Brutal Belonging in Other Spaces Conclusion Bibliography Appendices Endnotes Index

Über Autor(innen)

Rosemary Overell completed a PhD on extreme metal music at the University of Melbourne, Australia. After teaching in Melbourne, she moved to the University of Otago, New Zealand, to take up a lecturer position in the Department of Media, Film and Communication. Currently, she is researching how nikkeijin (Japanese-Brazilians working in Japan) relate to Japanese national space through their experiences in extreme metal music.