Good Vibrations

The Physics of Music
Erscheinungsjahr 2009
ISBN: 978-0-8018-9264-6
Verlag: Johns Hopkins University Press

Buch, Englisch, 288 Seiten, Format (B × H): 161 mm x 239 mm, Gewicht: 518 g

Why does a harpsichord sound different from a piano? For that matter, why does middle C on a piano differ from middle C on a tuning fork, a trombone, or a flute? Good Vibrations explains in clear, friendly language the out-of-sight physics responsible not only for these differences but also for the whole range of noises we call music.

The physical properties and history of sound are fascinating to study. Barry Parker's tour of the physics of music details the science of how instruments, the acoustics of rooms, electronics, and humans create and alter the varied sounds we hear. Using physics as a base, Parker discusses the history of music, how sounds are made and perceived, and the various effects of acting on sounds. In the process, he demonstrates what acoustics can teach us about quantum theory and explains the relationship between harmonics and the theory of waves.

Peppered throughout with anecdotes and examples illustrating key concepts, this invitingly written book provides a firm grounding in the actual and theoretical physics of music.

Autoren/Hrsg.

Parker, Barry

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Geschichte der Musik
• Technische Wissenschaften Sonstige Technologien | Angewandte Technik Akustik, Tontechnik
• Mathematik | Informatik Mathematik Numerik und Wissenschaftliches Rechnen Angewandte Mathematik, Mathematische Modelle
• Naturwissenschaften Physik Physik Allgemein

Inhaltsverzeichnis

Acknowledgments
Introduction
I. Sound and Sound Waves
1. Making Music: How Sound Is Made
2. The Sound of Music: Perception
3. Good Vibes: Waves in Motion
II. The Building Blocks of Music
4. Making Music Beautiful: Complex Musical Tones
5. The Well-Tempered Scale
6. Down Melody Lane with Chords and Chord Sequences
7. "You've Gotta Have Rhythm": Rhythm and Types of Music
III. Musical Instruments
8. Why a Piano Is Not a Harpsichord
9. The Stringed Instruments: Making Music with the Violin and the Guitar
10. The Brass Instruments: Trumpet and Trombone
11. The Woodwinds: Clarinet and Saxophone
12. The Most Versatile Instrument: The Singing Voice
IV. New Technologies and Acoustics
13. New Technologies and Acoustics
14. Making a MIDI Recording
15. The Acoustics of Concert Halls and Studios
Epilogue
Suggested Readings
Index

Über Autor(innen)

Parker, Barry
Barry Parker is a professor emeritus of physics at Idaho State University and the author of The Isaac Newton School of Driving, also available from Johns Hopkins.

Barry Parker is a professor emeritus of physics at Idaho State University and the author of The Isaac Newton School of Driving and Death Rays, Jet Packs, Stunts, and Supercars, both published by Johns Hopkins.