Subtle Bodies - Representing Angels in Byzantium

1. Auflage 2001
ISBN: 978-0-520-22405-6
Verlag: University of California Press

Buch, Englisch, Band 32, 250 Seiten, Cloth Over Boards, Format (B × H): 164 mm x 243 mm, Gewicht: 581 g

Reihe: Transformation of the Classical Heritage

Throughout the course of Byzantine history, Christian doctrine taught that angels have a powerful place in cosmology. It also taught that angels were immaterial, bodiless, invisible beings. But if that were the case, how could they be visualized and depicted in icons and other works of art? This book describes the strategies used by Byzantine artists to represent the incorporeal forms of angels and the rationalizations in defense of their representations mustered by theologians in the face of iconoclastic opposition. Glenn Peers demonstrates that these problems of representation provide a unique window on Late Antique thought in general.

Autoren/Hrsg.

Peers, Glenn

Fachgebiete

• Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: Byzantinisch
• Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: Völkerwanderung und Mittelalter
• Geisteswissenschaften Geschichtswissenschaft Alte Geschichte & Archäologie Frühchristliche, byzantinische Archäologie
• Geisteswissenschaften Kunst Künstlerische Stoffe, Motive, Themen Künstlerische Stoffe, Motive, Themen: Religiöse Themen

Inhaltsverzeichnis

List of Illustrations
Acknowledgments
Abbreviations
Introduction
1. Issues in Representing Angels
2. Arguments against Images of Angels
3. Representing Angels: Images and Theory
4. The Veneration of Angels and Their Images
5. Apprehending the Archangel Michael
Conclusion
Bibliography
Index

Über Autor(innen)

Glenn Peers is Assistant Professor of Art and Art History at the University of Texas, Austin. He collaborated with Massimo Bernabo and Rita Tarasconi on Il Fisiologo di Smirne (1998), and he is completing a study on framing in Byzantine art.