Metaphysics and Music in Adorno and Heidegger

2015. Auflage 2015
ISBN: 978-1-137-48724-7
Verlag: Palgrave MacMillan UK

Buch, Englisch, 215 Seiten, Format (B × H): 140 mm x 216 mm, Gewicht: 3894 g

Metaphysics and Music in Adorno and Heidegger explains how two notoriously opposed German philosophers share a rethinking of the possibility of metaphysics via notions of music and waiting. This is connected to the historical materialist project of social change by way of the radical Italian composer Luigi Nono.

Zielgruppe

Research

Autoren/Hrsg.

Phillips, Wesley

Fachgebiete

• Geisteswissenschaften Philosophie Metaphysik, Ontologie
• Geisteswissenschaften Philosophie Geschichte der Westlichen Philosophie Westliche Philosophie: 20./21. Jahrhundert
• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musiktheorie, Musikästhetik, Kompositionslehre
• Geisteswissenschaften Philosophie Ästhetik

Inhaltsverzeichnis

Introduction
1. Melancholy Science as Dissonant System
2. Twisting Free With/Of Wagner
3. The Dialectical Image of Music
4. Invincible in the Wasteland? Music, Space and Utopia
5. The Expression of Waiting in Vain
Notes
Index of Names
Bibliography

Über Autor(innen)

Wesley Phillips is an independent researcher and teacher based in London. He has written about German idealism, the Frankfurt School, phenomenology and aesthetics, and has had recent articles published in Telos, The European Journal of Social Theory, Critical Horizons, Cosmos and History and twentieth-century music.