Buch, Englisch, Band 34, 192 Seiten, Format (B × H): 155 mm x 235 mm, Gewicht: 313 g
Buch, Englisch, Band 34, 192 Seiten, Format (B × H): 155 mm x 235 mm, Gewicht: 313 g
Reihe: Consciousness, Literature and the Arts
ISBN: 978-90-420-3701-4
Verlag: Brill | Rodopi
Coetzee’s Elizabeth Costello, Slow Man and Diary of a Bad Year explicitly address themes which abide more surreptitiously throughout his oeuvre: the divisions and paradoxes which occur the moment pen gains page, the value of literature, and the ethics of embodiment. In revealing the dialogue between writer-self and reader-self, and between author and character, these recent novels invite a rereading of Coetzee’s previous literature. Reading Coetzee explores Coetzee’s preoccupation with the act of writing using his recent books as a lens through which to view his eight previous novels as well as his memoirs and essays.
Fachgebiete
- Geisteswissenschaften Literaturwissenschaft Literaturkritik: Hermeneutik und Interpretation
- Geisteswissenschaften Literaturwissenschaft Einzelne Autoren: Monographien & Biographien
- Geisteswissenschaften Literaturwissenschaft Englische Literatur Postkoloniale Literaturen in Englisch, Englische Literatur außerhalb Europas
Weitere Infos & Material
Introduction
This Book is Irregular: On the critical-creative nexus
The middle voice
‘I have beliefs but I do not believe in them’
The voice of the literary critic
The critical landscape
Coetzee’s recurring blank page
The written is always a compromise
Metaphor as Contagion: On the Postscript of Elizabeth Costello
Elizabeth Costello as Postscript to Coetzee’s oeuvre
Lord Chandos’s total renunciation of literary activity
Lady Chandos and the problem of metaphor
The Author Divided in Coetzee’s Novels
A moment of rupture: The white-haired woman
Time, tense, and aspect
Singing birds
Divided and divined
‘A going against’: Coetzee, postmodernism, and late style
Where is Coetzee? Authors and characters
Her man and she
The Ethics of Embodiment
The ethics of embodiment: Philosophy and literature
Costello’s progress, human to ape
The dark chamber: Ethics and ambiguity
Two suspended elements: sentence, narrative, text
The metaphor of the real
Short fiction
The Nature of It
Museum
The Scar
Triptych
Conclusions
Foreground and background
Late style
The wrong question
Postscript: A Bad Year
References
Index