Representation Matters | Buch | 978-90-420-2845-6 | sack.de

Buch, Englisch, Band 20, 279 Seiten, Format (B × H): 150 mm x 220 mm, Gewicht: 454 g

Reihe: Thamyris/Intersecting: Place, Sex and Race

Representation Matters

(Re)Articulating Collective Identities in a Postcolonial World

Buch, Englisch, Band 20, 279 Seiten, Format (B × H): 150 mm x 220 mm, Gewicht: 454 g

Reihe: Thamyris/Intersecting: Place, Sex and Race

ISBN: 978-90-420-2845-6
Verlag: Brill | Rodopi


In the twenty-first century, the terms “representation” and “identity” seem to have gone out of fashion. The essays collected here, however, seek to demonstrate the extent to which they continue to matter in the social, political and cultural struggles waged by marginalized communities across our postcolonial and globalizing world. The volume starts by offering contingent readings of prominent identity-related concepts – hybridity, insularity, the west, ubuntu, and orientalism – which ask how these concepts translate into practical, situated ways of grappling with the legacies of colonialism. It continues by exploring the relational articulation of collective identities and their histories (as shared rather than competing), and the way origin narratives and notions of indigeneity, in contexts as diverse as Namibia, Uruguay and Bolivia, function not as fixed roots, but as constructed representations that are manipulated according to the demands of the present. Finally, tradition, too, emerges as open to continuous strategic re-invention in contributions dealing with female agency in a Hindu ritual, peasant understandings of modernity in Zimbabwe, the resurgence of Chinese culture in Indonesia, and André Brink’s rewriting of South African history.
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Weitere Infos & Material


Anette Hoffmann and Esther Peeren: Introduction: Representation Matters
Concepts of Postcolonial Identity: Contingent Articulations
Sudeep Dasgupta: Alterity and Identities: The Paradoxes of Authenticity
Marc Brudzinski: Insularity and Identity at Odds in Martinique: 1973 to 2004
Nimrod Ben-Cnaan: The West between Culture(s) and Collective Identity: Notes for a Present Problematic
Hanneke Stuit: Ubuntu, the Truth and Reconciliation Commission, and South African National Identity
Gülru Çakmak: Resistance or Compliance? The Problem of Orientalism in Osman Hamdi’s Paintings
Relational Histories
Huub van Baar: Romani Identity Formation and the Globalization of Holocaust Discourse
Niamh Ann Kelly: Similarity and Difference: The Appearance of Suffering at the Strokestown Famine Museum
Rethinking Origins and Indigeneity
Anette Hoffmann: Resignifying Genesis, Identity, and Landscape: Routes versus Roots
Vannina Sztainbok: From Salsipuedes to Tabaré: Race, Space, and the Uruguayan Subject
Claret Vargas: Bolivian Indigenous Identities: Reshaping the Terms of Political Debate, 1994-2004
Reinventing Tradition
Beatrix Hauser: Performative Constructions of Female Identity at a Hindu Ritual: Some Thoughts on the Agentive Dimension
Guy Thompson: “We Are Like Fish That Were Reeled In”: Peasant Understandings of Modernity in Zimbabwe
Sonja van Wichelen: Silence, Absence, Loss: Chineseness in Post-Authoritarian Indonesia
Saskia Lourens: Moving Identities: Mythology and Metaphor in André Brink’s Praying Mantis
The Contributors
Index


Anette Hoffmann is a postdoctoral researcher at the Centre for Humanities Research at the University of the Western Cape in Cape Town, South Africa. She obtained her doctorate at the University of Amsterdam in 2005 with a dissertation on praise poetry in Namibia and is the editor and co-author of What We See. Reconsidering an Anthropometrical Collection from Southern Africa: Images, Voices, and Versioning (Basel Afrika Bibliographien, 2009).

Esther Peeren is Assistant Professor in Literary Studies at the University of Amsterdam. She is the author of Intersubjectivities and Popular Culture: Bakhtin and Beyond (Stanford UP, 2008) and co-editor of The Shock of the Other: Situating Alterities (Thamyris/Intersecting No. 15, Rodopi, 2007) and Popular Ghosts: The Haunted Spaces of Everyday Culture (Continuum, 2010).


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