Cinematic Corpographies

Re-Mapping the War Film Through the Body
1. Auflage 2020
ISBN: 978-3-11-070912-4
Verlag: De Gruyter

Buch, Englisch, 202 Seiten, Format (B × H): 155 mm x 230 mm, Gewicht: 323 g

Reihe: ISSN

Writing on the relationship between war and cinema has largely been dominated by an emphasis on optics and weaponised vision. However, as this analysis of the Hollywood war film will show, a wider sensory field is powerfully evoked in this genre. Contouring war cinema as representing a somatic experience of space, the study applies a term recently developed by Derek Gregory within the theoretical framework of Critical Geography. What he calls “corpography” implies a constant re-mapping of landscape through the soldier’s body. These assumptions can be used as a connection between already established theories of cartographic film narration and ideas of (neo)phenomenological film experience, as they also entail the involvement of the spectator’s body in sensuously grasping what is staged as a mediated experience of war. While cinematic codes of war have long been oriented almost exclusively to the visual, the notion of corpography can help to reframe the concept of film genre in terms of expressive movement patterns and genre memory, avoiding reverting to the usual taxonomies of generic texts.

Zielgruppe

film scholars, media scholars, scholars of cultural studies and p

Autoren/Hrsg.

Rositzka, Eileen

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgattungen, Filmgenre
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmtheorie, Filmanalyse
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgeschichte

Über Autor(innen)

Eileen Rositzka, Freie Universität Berlin, Kolleg-Forschergruppe Cinepoetics - Poetologien audiovisueller Bilder,
Berlin, Germany.