Rybin The Cinema of Hal Hartley

Flirting with Formalism
1. Auflage 2016
ISBN: 978-0-231-85084-1
Verlag: De Gruyter
Format: EPUB
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 224 Seiten

Reihe: Directors Cuts

Featuring new essays on this important director and his films, this collection explores Hartley’s work from a variety of aesthetic, cultural, and economic contexts, while also looking closely at his collaborations with actors, his reworking of the romantic comedy and other genres, and the shifting economics of his filmmaking.

Autoren/Hrsg.

Rybin, Steven

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmführer, Filmkritik
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgeschichte

Inhaltsverzeichnis

Acknowledgements
Notes on Contributors
Introduction: Hal Hartley: A Quality of Attention, by Steven Rybin
1. Up Close and Impersonal: Hal Hartley and the Persistence of Tradition, by David Bordwell
2. 'Young. Middle-Class. College-Educated. Unskilled.': Hal Hartley in 1991, by Mark L. Berrettini
3. 'Some Things Shouldn't Be Fixed': Frameworks of Critical Reception and the Early Career of Hal Hartley, by Jason Davids Scott
4. The Locality of Hal Hartley: The Aesthetics and Business of Smallness, by Steven Rawle
5. Hal Hartley's Romantic Comedy, by Sebastian Manley
6. A New Man: The Logic of the Break in Hal Hartley's Amateur, by Daniel Varndell
7. Not Getting It: Flirt as Anti-Puzzle Film, by Steven Rybin
8. Poiesis and Media in The Book of Life and No Such Thing, by Fernando Gabriel Pagnoni Berns
9. Bodies, Space and Theatre in The Unbelievable Truth (and its American Precursors), by Zachary Tavlin
10. Parker Posey as Hal Hartley's 'Captive Actress', by Jennifer O'Meara
11. The Figure Who Writes: On the Henry Fool Trilogy, by Steven Rybin
Filmography
Bibliography
Index

Über Autor(innen)

Steven Rybin is assistant professor of film studies in the English department at Minnesota State University, Mankato. He is the author of Michael Mann: Crime Auteur and Terrence Malick and the Thought of Film (2011) and co-editor of Lonely Places, Dangerous Ground: Nicholas Ray in American Cinema (2014).