Sieradz The Beginnings of Polish Musicology

Erscheinungsjahr 2020
ISBN: 978-3-631-82378-1
Verlag: Peter Lang
Format: EPUB
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, Band 9000, 0 Seiten

Reihe: Eastern European Studies in Musicology

The book presents the history of the only strictly scientific Polish musicological periodical Kwartalnik Muzyczny. It shows how the editorial board of the periodi-cal met with true approval and harsh criticism. The subject allows the author to present the beginnings of Polish musicology and its evolution through three epochs: the late partitioning period, the interwar period of Poland’s independ-ence, and the early years after the Second World War

Autoren/Hrsg.

Sieradz, Malgorzata

Weitere Mitwirkende

Davidson, Lindsay

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musikpsychologie, Musiksoziologie
• Geisteswissenschaften Musikwissenschaft Geschichte der Musik

Inhaltsverzeichnis

Introduction I Socio-institutional contexts of the establishment of KwartalnikMuzyczny 1. Panorama of Polish musicological journalism until1910 – Roman Chojnacki’s Mloda Muzyka and PrzegladMuzyczny – WTM and Henryk Opienski’s KwartalnikMuzyczny (1911–14) – collaboration with Adolf Chybinski –clarification of the concept of a musicological quarterly –university series 2. Societies, associations, institutes of the interwarperiod: ‘Club of professional music press’ – Polish Societyfor Contemporary Music – Polish Musicological Society –Frederic Chopin Institute – Association of Early MusicLovers and Publishing Society of Polish Music as aninstitutional background to Kwartalnik Muzyczny 3. Music magazines of the interwar period: LwowskieWiadomosci Muzyczne i Literackie, Poznan’s PrzegladMuzyczny, Mateusz Glinski’s Muzyka – other environmentaland local musical magazines – controversies over the modelof an expert journal of the milieu II Hopes of Polish musicology – Kwartalnik Muzyczny in theyears 1928–1933 1. The idea of publishing a musicological quarterly –preparatory work – establishing Kwartalnik Muzyczny:the periodical’s concept – programme assumptions:the first editorial – reactions of the milieu 2. Musicological circles in Poland (Lviv, Cracow,Poznan, Warsaw) as addresses of the Kwartalnik –socio-scientific contexts: ideas about the functioningof the musicological environment – main topics ofinterest – other possibilities of publishing musicologicalstudies: academic publishing 3. Musicology among academic disciplines in the interwarperiod – systematics, discussions 4. Authors and subjects: historical-musical work – ‘technicalhistory’ (Chybinski) versus ‘live history’ (Jachimecki);contemporary music as a subject for research; musictheory and acoustics; philosophy, aesthetics, sociology;psychology, pedagogy; ethnography and musical folklore;themed editions 5. Muzyka Polska (1934–39) – Polski RocznikMuzykologiczny (1935, 1936) III Difficult years – Kwartalnik Muzyczny in the years1948–1950 1. New context of the functioning of the academic milieu andtheir publications – ‘bourgeoisie musicology’ Contents 72. Ideologisation of learning about music – conferences,conventions, congresses – Marxist musicology – PanstwowyInstytut Sztuki – gradual radicalisation in academia 3. An attempt to continue the formula of the magazine – AdolfChybinski and his collaborators (Zofia Lissa, TadeuszOchlewski, Józef M. Chominski – scope of cooperationand organisation of editorial work) – new organisation ofpublishing work (PWM, PIS) 4. Authors and subjects as well as concepts, problems and workmethods – continuation of the pre-war work – around thecurrent issues of musical socialist realism – thematicprojects ConclusionPremises of the publishing crisis – change of generation –new publishing initiatives in the field of musicologicalperiodicals: Muzyka, Studia Muzykologiczne, RocznikChopinowski Afterword Abbreviations Bibliography Secondary literature

Über Autor(innen)

Dr Malgorzata Sieradz focuses her research on the Polish musical culture of the nineteenth and twentieth centuries, along with the history of music journals.