Buch, Englisch, Band 43, 508 Seiten, Format (B × H): 155 mm x 235 mm, Gewicht: 1016 g
Transformations of Christian Traditions and their Representation in the Arts, 1000–2000
Buch, Englisch, Band 43, 508 Seiten, Format (B × H): 155 mm x 235 mm, Gewicht: 1016 g
Reihe: Textxet: Studies in Comparative Literature
ISBN: 978-90-420-0999-8
Verlag: Brill | Rodopi
Fachgebiete
- Geisteswissenschaften Kunst Kunstgeschichte
- Geisteswissenschaften Kunst Kunststile Christliche Kunst
- Geisteswissenschaften Literaturwissenschaft Literarische Stoffe, Motive und Themen
- Geisteswissenschaften Literaturwissenschaft Rezeption, literarische Einflüsse und Beziehungen
- Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Kultur- und Ideengeschichte
- Geisteswissenschaften Christentum, Christliche Theologie Christentum/Christliche Theologie Allgemein Christliche Kunst und Kultur
- Geisteswissenschaften Literaturwissenschaft Vergleichende Literaturwissenschaft
Weitere Infos & Material
List of Plates
Preface
Nils Holger Petersen: INTRODUCTION: Transformations of Christian Traditions and their Representation in the Arts, 1000?2000
SECTION ONE
Anthony Johnson: Introduction
Ananya Jahanara Kabir: Towards a Contra-Modern Aesthetics: Reading the Old English 'Andreas' Against an Image of the Virgin of Guadalupe
Anthony Johnson: Levity and Gravity: Ben Jonson and the Crisis of the Image
Claus Clüver: Schoenberg's Play of the Artist?Saviour and the Calderonian 'auto sacramental'
SECTION TWO
Claus Clüver: Introduction
Marica S. Tacconi: The Service?Books of the Cathedral of Florence: From Local Liturgical Specificity to Civic Identity
Nicoletta Isar: The Broken Image. Of Splits and Cuttings: Modern Representation and its Beginnings
Hugo Johannsen: The Protestant Palace Chapel: Monument to Evangelical Religion and Sacred Rulership
SECTION THREE
Kristin Rygg: Introduction
Andreas Bücker: Christianizing the Arts: From Augustine's 'De ordine 'to Carolingian Thought
Bernhard F. Scholz: Re-editing the Book of Nature: Observations on a Nineteenth Century Attempt at Modernizing a Seventeenth Century Book of Emblems
Magnar Breivik: A Twentieth Century 'musica instrumentalis: 'Boethius and Augustine in the Musical Thought of Paul Hindemith
SECTION FOUR
Robert A. Davis: Introduction
Jens Fleischer: Pre?Romanesque Church Walls and their "Language"
Eyolf Østrem: "The Ineffable": Affinities between Christian and Secular Concepts of Art
Siglind Bruhn: Mythopoesis and Musical Genre in Bohuslav Martinu's Greek Passion
SECTION FIVE
Nicolas Bell and Andreas Bücker: Introduction
Susan Boynton: From the Lament of Rachel to the Lament of Mary: A Transformation in the History of Drama and Spirituality Columbia University
Gunilla Iversen: Fictiones or figurata ornamenta? On the Concept of "Poetry" in the Period of Transition from a Monastic to a Scholastic Culture
Nicolas Bell: Signs of Change from ars antiqua to ars nova in Polyphonic Music of the Early Fourteenth Century
Bernhard Ridderbos and Hans Bloemsma: Gates to Heaven, Gates to the Soul
SECTION SIX
Jeremy Llewellyn: Introduction
Volker Schier and Corine Schleif: Seeing and Singing, Touching and Tasting the Holy Lance: The Power and Politics of Embodied Religious Experiences in Nuremberg, 1424?1524
Nils Holger Petersen and Heinrich W. Schwab: The Devotional Genre of the Hymn Around 1800: The Hallelujah of Creation
Stephanie A. Glaser: Of Revolutions, Republics and Spires: Nineteenth?Century France and the Gothic Cathedral
FINAL CONSIDERATIONS
Abstracts
Contributors