Smit | Authoritarianism and Class in American Political Fiction | Buch | 978-1-032-18820-1 | sack.de

Buch, Englisch, 212 Seiten, Format (B × H): 157 mm x 235 mm, Gewicht: 468 g

Reihe: Routledge Research in American Literature and Culture

Smit

Authoritarianism and Class in American Political Fiction

Elite Pluralism and Political Bosses in Three Post-War Novels
1. Auflage 2022
ISBN: 978-1-032-18820-1
Verlag: Routledge

Elite Pluralism and Political Bosses in Three Post-War Novels

Buch, Englisch, 212 Seiten, Format (B × H): 157 mm x 235 mm, Gewicht: 468 g

Reihe: Routledge Research in American Literature and Culture

ISBN: 978-1-032-18820-1
Verlag: Routledge


This book analyzes what many critics consider to be the three best examples of modern American political fiction—Robert Penn Warren’s All the King’s Men, Edwin O’Connor’s The Last Hurrah, and Billy Lee Brammer’s The Gay Place—to address a specific problem in American governance: how the intense competition for power among elite factions often results in their ignoring major groups of their constituents, thereby providing political bosses with a rationale to seize authoritarian control of the government in the name of constituent groups who feel ignored or neglected, promising them more democratic rule, but in the process, excluding other groups, so that the bosses themselves become elitist, ruling only for the sake of some constituents and not others.

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Autoren/Hrsg.


Weitere Infos & Material


Introduction

Chapter 1: Class, Elite Pluralism, and Political Bosses



Part I

Chapter 2: Robert Penn Warren and Huey Long’s Louisiana: 1928–32

Chapter 3: A Class Analysis of All the King’s Men



Part II

Chapter 4: Edwin O’Connor and James Michael Curley’s Boston: 1914–50

Chapter 5: A Class Analysis of The Last Hurrah



Part III

Chapter 6: Billie Lee Brammer and Lyndon Johnson’s Texas in the1950s

Chapter 7: A Class Analysis of The Gay Place



Conclusion


David Smit is Professor Emeritus of English at Kansas State University, where he taught for twenty-nine years and was director of the Expository Writing Program for two five-year terms. His special interests are writing theory, Henry James, modern drama, and post-war American literature and culture, especially the political fiction of the period.



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