Buch, Englisch, Band 8, 318 Seiten, Format (B × H): 157 mm x 235 mm, Gewicht: 554 g
Reihe: Worlds of Memory
Contemporary Australian and Canadian Literature and Film beyond the Victim Paradigm
Buch, Englisch, Band 8, 318 Seiten, Format (B × H): 157 mm x 235 mm, Gewicht: 554 g
Reihe: Worlds of Memory
ISBN: 978-1-80073-172-1
Verlag: Berghahn Books
Criminal justice inquiries may be the most historically dramatic means for coming to terms with traumatic legacies, but it is in the more subtle social and cultural processes of “memory work” that most individuals encounter historical reconciliation in practice. This book analyzes, within the realms of national literature and film, recent Australian and Canadian attempts to reconcile with Indigenous populations in the wake of forced child removal. As Hanna Teichler demonstrates, their systematic emphasis on the subjectivity of the victim is “carnivalesque,” temporarily overturning discursive hierarchies. Such fictions of reconciliation venture beyond simplistic narratives and identities defined by victimization, offering new opportunities for confronting painful histories.
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Literaturwissenschaft Literarische Stoffe, Motive und Themen
- Sozialwissenschaften Ethnologie | Volkskunde Volkskunde Indigene Völker
- Geisteswissenschaften Geschichtswissenschaft Geschichtswissenschaft Allgemein
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgeschichte
Weitere Infos & Material
Introduction: Carnivalizing Reconciliation
Chapter 1. Justice through Storytelling? Australian and Canadian Reconciliation and the Victim Paradigm
Chapter 2. Carnivalizing Reconciliation: Beyond the Victim Paradigm
Chapter 3. Beyond the Partisan Divide: Transcultural Recalibrations of National Myths in Joseph Boyden’s Three Day Road and Gail Jones’s Sorry
Chapter 4. “Double Visions”: Intimate Enemies and Magic Figures in Kim Scott’s Benang and Tomson Highway’s Kiss of the Fur Queen
Chapter 5. From Victimology to Empowerment? Zacharias Kunuk’s Atanarjuat and Baz Luhrmann’s Australia
Conclusion: Fictions of Reconciliation
Bibliography