Buch, Englisch, 264 Seiten, Paperback, Format (B × H): 152 mm x 229 mm
Buch, Englisch, 264 Seiten, Paperback, Format (B × H): 152 mm x 229 mm
ISBN: 978-0-472-03894-7
Verlag: University of Michigan Press
The Celebration of Death in Contemporary Culture investigates the emergence and meaning of the cult of death. Over the last three decades, Halloween has grown to rival Christmas in its popularity. Dark tourism has emerged as a rapidly expanding industry. “Corpse chic” and “skull style” have entered mainstream fashion, while elements of gothic, horror, torture porn, and slasher movies have streamed into more conventional genres. Monsters have become pop culture heroes: vampires, zombies, and serial killers now appeal broadly to audiences of all ages. This book breaks new ground by viewing these phenomena as aspects of a single movement and documenting its development in contemporary Western culture.
This book links the mounting demand for images of violent death with dramatic changes in death-related social rituals. It offers a conceptual framework that connects observations of fictional worlds—including The Twilight Saga, The Vampire Diaries, and the Harry Potter series—with real-world sociocultural practices, analyzing the aesthetic, intellectual, and historical underpinnings of the cult of death. It also places the celebration of death in the context of a longstanding critique of humanism and investigates the role played by 20th-century French theory, posthumanism, transhumanism, and the animal rights movement in shaping the current antihumanist atmosphere.
This timely, thought-provoking book will appeal to scholars of culture, film, literature, anthropology, and American and Russian studies, as well as general readers seeking to understand a defining phenomenon of our age.
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This book links the mounting demand for images of violent death with dramatic changes in death-related social rituals. It offers a conceptual framework that connects observations of fictional worlds—including The Twilight Saga, The Vampire Diaries, and the Harry Potter series—with real-world sociocultural practices, analyzing the aesthetic, intellectual, and historical underpinnings of the cult of death. It also places the celebration of death in the context of a longstanding critique of humanism and investigates the role played by 20th-century French theory, posthumanism, transhumanism, and the animal rights movement in shaping the current antihumanist atmosphere.
This timely, thought-provoking book will appeal to scholars of culture, film, literature, anthropology, and American and Russian studies, as well as general readers seeking to understand a defining phenomenon of our age.
Autoren/Hrsg.
Fachgebiete
- Sozialwissenschaften Soziologie | Soziale Arbeit Soziale Gruppen/Soziale Themen Tod, Sterbehilfe: Soziale und Ethische Themen
- Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft
- Geisteswissenschaften Religionswissenschaft Alternative Glaubensformen Agnostizismus, Atheismus, Säkularer Humanismus
- Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Freizeitsoziologie, Konsumsoziologie, Alltagssoziologie, Populärkultur
Weitere Infos & Material
- Acknowledgments
- Introduction
- One. The Intellectual Origins of the Cult of Death
- Two. The Commodification of Death
- Three. The Monsters and the Humans
- Four. Harry Potter, Tanya Grotter, and Death in the Coming-of-Age Novel
- Conclusion
- Notes
- Selected Bibliography
- Index
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