Buch, Englisch, Band 6, 454 Seiten, Format (B × H): 155 mm x 230 mm
Literature and Art in England and Germany
Buch, Englisch, Band 6, 454 Seiten, Format (B × H): 155 mm x 230 mm
Reihe: Textxet: Studies in Comparative Literature
ISBN: 978-90-420-0065-0
Verlag: Brill | Rodopi
Fachgebiete
- Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: 19. Jahrhundert
- Geisteswissenschaften Literaturwissenschaft Rezeption, literarische Einflüsse und Beziehungen
- Geisteswissenschaften Literaturwissenschaft Literaturtheorie: Poetik und Literaturästhetik
- Geisteswissenschaften Kunst Kunst, allgemein Geschichte der Kunstwissenschaft und Kunstkritik
- Geisteswissenschaften Literaturwissenschaft Englische Literatur
- Geisteswissenschaften Literaturwissenschaft Deutsche Literatur
Weitere Infos & Material
Acknowledgments
Illustrations
Frederick BURWICK: Verbal and Visual Modes of Imagination
PART I: IMAGINATION
Jürgen KLEIN: Genius, Ingenium, Imagination: Aesthetic Theories of Production from the Renaissance to Romanticism
Werner HOFMANN: The Dark Total Idea: Schiller on the Creative Process
Horst MELLER: The Parricidal Imagination: Schiller, Blake, Fuseli and the Romantic Revolt against the Father
Gabriele ROMMEL: Imagionation in the Transcendental Poetics of Novalis
PART II: THE SISTER ARTS
Frederick BURWICK: Blake's Laocoön and Job: or, On the Boundaries of Painting and Poetry
Roswitha BURWICK: Physiology of Perception: Achim von Arnim's Practical and Historical Aesthetics
Wilhelmina L. HOTCHKISS: Grounds for Change: Wordsworth, Constable and the Uses of Place
Norma S. DAVIS: Poet and Painter: Beaumont's Illustrations in the Poetry of William Wordsworth
J. DRUMMOND BONE: Turner and Shelley: The Sense of a Comparison
PART III: THE SUBLIME AND THE PICTURESQUE
Anne K. MELLOR: Immortality or Monstrosity? Reflections on the Sublime in Romantic Literature and Art
Hans-Ulrich MOHR: The Picturesque: A Key Concept of the Eighteenth Century
Lilian R. FURST: In Other Voices: Wackenroder's Herzensergießungen and the Creation of a Romantic Mythology
PART IV: EKPHRASIS
James A.W. HEFFERNAN: Byron and Sculpture
Wolf Z. HIRST: How Dreams Become Poems: Keats's Imagined Sculpture and Re-Vision of Epic
Grant F. SCOTT: Shelley, Medusa, and the Perils of Ekphrasis
PART V: MODE, MANNER, STYLE
Barbara Maria STAFFORD: Bare versus Prismatic Style: Newton, Piranesi and Eighteenth-Century Theories of Abstraction in Art and Science
Gerald FINLEY: Pigment into Light: Turner, and Goethe's Theory of Colours
Murray ROSTON: The Contemplative Mode
Karl KROEBER: The Clarity of the Mysterious and the Obscurity of the Familiar: Friedrich and Turner
Jörg TRAEGER: …As if one's Eyelids had been Cut Away: Imagination in Turner, Friedrich, and David
Index