Buch, Englisch, 222 Seiten, Format (B × H): 175 mm x 244 mm, Gewicht: 540 g
Buch, Englisch, 222 Seiten, Format (B × H): 175 mm x 244 mm, Gewicht: 540 g
Reihe: Studies in Art Historiography
ISBN: 978-0-367-73618-7
Verlag: ROUTLEDGE
This book takes a new, interdisciplinary approach to analyzing modern Viennese visual culture, one informed by Austro-German theater, contemporary medical treatises centered on hysteria, and an original examination of dramatic gestures in expressionist artworks. It centers on the following question: How and to what end was the human body discussed, portrayed, and utilized as an aesthetic metaphor in turn-of-the-century Vienna? By scrutinizing theatrically “hysterical” performances, avant-garde puppet plays, and images created by Oskar Kokoschka, Koloman Moser, Egon Schiele and others, Nathan J. Timpano discusses how Viennese artists favored the pathological or puppet-like body as their contribution to European modernism.
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Kunst Künstlerische Stoffe, Motive, Themen Künstlerische Stoffe, Motive, Themen: Menschen, Häusliches Umfeld
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft
- Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Europäische Geschichte
- Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: 20./21. Jahrhundert
- Medizin | Veterinärmedizin Medizin | Public Health | Pharmazie | Zahnmedizin Medizin, Gesundheitswesen Geschichte der Medizin
Weitere Infos & Material
List of Illustrations
List of Plates
Acknowledgments
Introduction: A Conundrum of the Viennese Modern Body
1 “The Semblance of Things”: Re-Visioning Viennese Expressionism
2 “The Woman Emerges”: Medical Vision and the Spectacle of Hysteria
3 Performing Hysteria: A Vogue for Hystero-Theatrical Gestures
4 A Tale of Three Hysterics: Elektra, Isolde, and Salome
5 The Inanimate Body Speaks: The Language of the Marionette Theater
6 Pathological Puppets: The Body and the Marionette in Viennese Expressionism