Collective Agency and Resistance during Japanese American Incarceration

The Amache Silk Screen Shop
Erscheinungsjahr 2025
ISBN: 978-3-031-93913-6
Verlag: Palgrave Macmillan

Buch, Englisch, Format (B × H): 148 mm x 210 mm

This book provides the first history of the Silk Screen Shop (1943-45) at the Granada War Relocation Center (“Amache”) in Colorado, a World War II incarceration site for Japanese Americans.  The Shop printed training posters for the Bureau of Naval Personnel. In addition, in their free time, the Amache workers designed and printed material, such as dance invitations and Christmas cards, for community organizations and individuals. In the years after incarceration, the objects’ connection to the silk-screen shop was lost. This volume documents and studies the objects produced by the Shop, reconstructs workers’ experience and identity, traces the Shop as a site of community, and argues that young adult printmakers collectively developed subversive visual conventions of protest.

Zielgruppe

Research

Autoren/Hrsg.

Trafton, Melissa Geisler

Fachgebiete

• Geisteswissenschaften Geschichtswissenschaft Weltgeschichte & Geschichte einzelner Länder und Gebietsräume Geschichte einzelner Länder Amerikanische Geschichte
• Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Mentalitäts- und Sozialgeschichte
• Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Besondere Kriege und Kampagnen
• Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Kolonialgeschichte, Geschichte des Imperialismus
• Geisteswissenschaften Kunst Kunstgeschichte

Inhaltsverzeichnis

Introduction to Amache.- Chapter 1: “Don’t Ever Call it a Boat!”: Visual Training Aids for the US Navy’s Bureau of Personnel.- Chapter 2: Community Projects: Hospital Menus, School Programs, Dance Invitations, and T-Shirts.- Chapter 3: “Souvenirs”: Putting Amache on the Map.- Chapter 4: “All of us who work the Silk Screen Shop”.- Conclusion: The Afterlife of the Prints.

Über Autor(innen)

Melissa Geisler Trafton is an art historian of nineteenth and twentieth-century art and visual culture, particularly printed ephemera. Trafton’s scholarship has appeared in a variety of museum publications and academic journals. In collaboration with the Amache Alliance community organization, she has produced a website that reproduces all known screen prints from Amache.