Trinh D-Passage

The Digital Way
1. Auflage 2013
ISBN: 978-0-8223-7732-0
Verlag: De Gruyter
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 224 Seiten

The world-renowned filmmaker, artist, and critical theorist Trinh T. Minh-ha discusses the potentials and impact of new technology on cinema culture and explores its effects on creative practice.

Autoren/Hrsg.

Trinh, Minh-ha T.

Fachgebiete

• Sozialwissenschaften Soziologie | Soziale Arbeit Soziologie Allgemein Feminismus, Feministische Theorie
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgeschichte
• Geisteswissenschaften Kunst Kunstformen, Kunsthandwerk Installations-, Aktions-, Computer- und Videokunst

Inhaltsverzeichnis

Acknowledgments vii

I. Prelude

Lotus Eye (Reading Miyazawa Kenji and Making Night Passage) 3

II. Script

Night Passage (Film Script) 21

III. Conversations

A Sound Print in the Human Archive with Sidsel Nelund 65

The Depth of Time with Alison Rowleyo 89

What's Eons New? with Rosa Reitsamer 121

The Politics of Forms and Forces with Eva Hohenberger 141

IV. Installation

L'Autre marche (The Other Walk) 171

L'Entre-musée: The World, with Each Step with Elvan Zabunyan 183

Illustrations, Filmography, and Distribution 205

Index 207

Über Autor(innen)

Trinh T. Minh-ha is a filmmaker, multimedia artist, writer, composer, and postcolonial feminist theorist. Her award-winning films—including Night Passage, The Fourth Dimension, A Tale of Love, Shoot for the Contents, Surname Viet Given Name Nam, Naked Spaces – Living Is Round, and Reassemblage—have been shown at film festivals and in museums around the world. She is the author of numerous books, including Elsewhere, Within Here; Cinema Interval; Framer Framed; When the Moon Waxes Red; and Woman, Native, Other. She is Professor of Gender & Women's Studies, and Rhetoric at the University of California, Berkeley.