Trocmé-Latter The Strasbourg <I>Cantiones</I> of 1539: Protestant City, Catholic Music

1. Auflage 2023
ISBN: 978-1-80543-028-5
Verlag: De Gruyter
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 300 Seiten, Format (B × H): 156 mm x 234 mm

Presents a critical study of the Cantiones in terms of their historical and confessional significance, assemblage, printing and the music itself.

Autoren/Hrsg.

Trocmé-Latter, Daniel

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikgattungen Geistliche Musik, Religiöse Musik
• Geisteswissenschaften Musikwissenschaft Geschichte der Musik
• Geisteswissenschaften Christentum, Christliche Theologie Christliche Kirchen, Konfessionen, Denominationen Protestantismus, evangelische und protestantische Kirchen

Inhaltsverzeichnis

Introduction: Catholic Music in a Protestant City?
Part I: The Story
1. Peter Schöffer the Younger
2. The Cantiones in Context
3. The Milan Connection
Part II: The Music
4. The Gombert Motets
5. The Motets of Jacquet of Mantua and Adrian Willaert
6. The Remaining Composers of the Cantiones
Epilogue
Appendix 1: Paratexts
Appendix 2: Motet Texts and Translations
Appendix 3: Extant Exemplars of the Cantiones Anthology and its Motet Concordances
Appendix 4: Discography
Bibliography
Index

Über Autor(innen)

Trocmé-Latter Daniel:
DANIEL TROCME-LATTER is Associate Professor of Music, Director of Music, and a Fellow of Homerton College, Cambridge. He is an Affiliated Lecturer in the Faculties of Music and of History at the University of Cambridge.