Tymieniecka | Art, Literature, and Passions of the Skies | Buch | 978-94-007-4260-4 | sack.de

Buch, Englisch, Band 112, 305 Seiten, Format (B × H): 160 mm x 241 mm, Gewicht: 641 g

Reihe: Analecta Husserliana

Tymieniecka

Art, Literature, and Passions of the Skies


2012
ISBN: 978-94-007-4260-4
Verlag: Springer Netherlands

Buch, Englisch, Band 112, 305 Seiten, Format (B × H): 160 mm x 241 mm, Gewicht: 641 g

Reihe: Analecta Husserliana

ISBN: 978-94-007-4260-4
Verlag: Springer Netherlands


Flashes of lightning, resounding thunder, gloomy fog, brilliant sunshine…these are the life manifestations of the skies.  The concrete visceral experiences that living under those skies stir within us are the ground for individual impulses, emotions, sentiments that in their interaction generate their own ever-changing clouds.     While our intellect concentrates on the discovery of our cosmic position, on the architecture of the universe, our imagination is informed by the gloomy vapors, the glimmers of fleeting light, and the glory of the skies.     Reconnoitering from the soil of human life and striving towards the infinite, the elan of imagination gets caught up in the clouds of the skies.  There in that dimness, sensory receptivity, dispositions, emotions, passionate strivings, yearnings, elevations gather and propagate. From the “Passions of the Skies” spring innermost intuitions that nourish literature and the arts.

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Weitere Infos & Material


SECTION  I.-
 
On the Cosmology of Literature: Parallel Universes and Meaning Beyond Information   
Rebecca M. Painter.-

 
Skies Passions: Reflections on La piel cielo
Alira Ashvo-Munoz      .-

 
The Genealogy of Heaven in Poetic Literature
Ion Soteropoulous and George Comtesse.-

 
A Critique of John Searle's View of the Logic of Fictional Discourse
Aydan Turanli.-

 
The Recovery of Archaic Truth in Literature: Light and Darkness in the Perception of Space in the Human Imagination
Lawrence Kimmel.-

 
 
                                                            SECTION  II.-

 
The Disenchantment of the Sky in Tom Stoppard's Jumpers
Raymond J. Wilson III  .-

 
Big Mind: The Nature of Consciousness as Internal Spaciousness in Transpersonal Experience
Bruce Ross   .-
   
 
Leopardi's Noncturnal Muse
Marcella Tarozzi Goldsmith.-

 
Aerial Passion, The Face, and the Deleuzean Close-up: Samuel Beckett’s… but the clouds
Mary F. Catanzaro.-

 
Wonder of Emptiness
Kiymo Murata-Soraci.-

 
On Concentric Circles of Being Revisited
Friedrich Nietzsche and the idea of eternal recurrence
Matti Itkonen.-

        
 
                                                            SECTION  III.-

 
Passion’s Delirium, Passion’s Torment – A Discussion of One Woman’s Arousal in Kate Chopin's The Awakening
Saundra Tara Weiss.-

 
Flesh, World and Devil: Towards a Phenomenological Exposition of the Aesthetic Interpretation of Christianity in the Light of Some Tolstoy’s Short Works
Victor G. Rivas Lopez.-

 
Valery's Materialist Conception of Consciousness and its Consequences
Insook Webber.-

 
Cyber-Salvation: Body in Virtual Skies
Mariola Sulkowska-Janowska.-

 
"Erit Ergo Spiritui Subdita Caro Spiritalis" (The Spiritual Flesh will Therefore be Subject to the Spirit): TheHeavenly Pleasures of the Disembodied and Reembodied – An Essay on Augustine and the Problem of Embodiment
George Heffernan.-

 
All My Son’s: Arthur Miller’s Sky Play in Light of Soren Kierkegaard’s Either/Or
Raymond J. Wilson III.-

 
 
 
                                                            SECTION  IV .-

 
Sky that Surrounds Near to Far
Tony Raczka.-

 
On the Dialectical Condition of the Purity of Poetry, Love and Madness in Tarkovsky’s Homesickness  
Victor G. Rivas Lopez.-

 
Traveling to Other Worlds: Visitation to the Heavens as Transpersonal Experience in Rock Art
Bruce Ross.-

           
Harold Pinter's The Homecoming Through the Lens of Amartya Sen's The Idea of Justice           
Emil Roy.-

 
The Stream of Consciousness: Literary Psychology as the First Uniquely American Phenomenology in the Works of William James and His Swedenborgian and Transcendentalist Milieu
Eugene Taylor.-.



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