Complexity and Complicity Must Be Defended
Buch, Englisch, 344 Seiten, Format (B × H): 175 mm x 245 mm
ISBN: 978-3-99012-370-6
Verlag: Hollitzer
A permanent state of emergency: a neo-aesthetic view on contemporary politics and art.
Miško Šuvakovic describes his experience of the twentieth and twenty-first centuries as a “permanent state of emergency”. The author explores this perspective in relation to the politics of time (dialectic historicizing) and the politics of space (geographic difference). By mapping visual arts, performance arts, architecture, music and new media with contemporary theory, philosophy
and aesthetics, he challenges established conceptualizations in modern and contemporary art movements.
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Contents
Introduction
Politics of Theory
Theories of Modernism
Politics of Time and Space
The Return of the Political
in Contemporary Aesthetics, Philosophy and Art
Troubles with the Economy, Geography and History
The Social Turn
Gray Zones – Political Economy through Forms of Life
Eleven Theses on Feuerbach, Friedman, Hayek and Speculative Realism
Socialism / Cold War / Postsocialism
The Aesthetics of Disruption
Platforms of Avant-Garde Production in Socialist Yugoslavia and Serbia
Conceptual Art
The Yugoslav Case
Beyond Borders
John Cage, Cold War Politics and Artistic Experimentation in the Socialist Federal Republic of Yugoslavia
Music Through Aesthetics
The Phenomenology of the Screen (and / or / as) Event
Musical De-Ontologisation
Aesthetics, Politics and Music
The Context of Contemporary Critical Theory
Music and Politics
The Reconstruction of Aesthetics and the Contemporary World
Critical Architecture
General Theory of Ideology
Architecture
Architecture as Cultural Practice
The Market’s Appropriation of the Social or the Ideology of the Multitude
Performance Art
Technologies of Performance in Performance Art
Concepts and Phenomenological Research
The Avant-Garde: Performance and Dance
Ideologies, Events, Discourses
Discourses and Dance
An Introduction to the Analysis of the Resistance of Philosophy and Theory towards Dance
Theoretical Performance
Performative Knowledge
Performance Art
Appropriations of Music
Postmedia: Music
Beyond Paper
Postmedia and Flexible Art
Bio Art
The Prehuman / The Human / The Posthuman
Simultaneously Always, Now and Everywhere
A Real Fiction
Multiple Political/Sexual Bodies
Between the Public and the Intimate
Auto-Criticism of Subjectivisation
Painting as Postmedia Politics
Experimental Theory
A Claustrophobic Event
Bare Life
A Narrative
An Utterly Ordinary Evening – PETIT a
About the Essays
Literature
About the Author
