Art History after Deleuze and Guattari

Erscheinungsjahr 2017
ISBN: 978-94-6270-115-1
Verlag: Leuven University Press

Buch, Englisch, 280 Seiten, Format (B × H): 156 mm x 233 mm, Gewicht: 436 g

At the crossroads of philosophy, artistic
practice, and art history

Though Gilles Deleuze and Felix Guattari were not strictly art historians, they
reinvigorated ontological and formal approaches to art, and simultaneously
borrowed art historical concepts for their own philosophical work. They were
dedicated modernists, inspired by the German school of expressionist art
historians such as Riegl, Wölfflin, and Worringer and the great modernist art
critics such as Rosenberg, Steinberg, Greenberg, and Fried. The work of Deleuze
and Guattari on mannerism and Baroque art has led to new approaches to these
artistic periods, and their radical transdisciplinarity has influenced
contemporary art like no other philosophy before it. Their work therefore
raises important methodological questions on the differences and relations
among philosophy, artistic practice, and art history. In Art History after Deleuze and Guattari international scholars from
all three fields explore what a ‘Deleuzo-Guattarian art history’ could be
today.

This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).

Contributors
Éric Alliez (Kingston University, Université Paris VIII), Claudia Blümle
(Humboldt Universität zu Berlin), Jean-Claude Bonne (École des Hautes Études en
Sciences Sociales), Ann-Cathrin Drews (Humboldt Universität zu Berlin), James
Elkins (School of the Art Institute of Chicago), Sascha Freyberg (Max Planck
Institute for the History of Science), Antoine l’Heureux (independent
researcher), Vlad Ionescu (Hasselt University), Juan Fernando Mejía Mosquera
(Pontificia Universidad Javeriana), Gustavo Chirolla Ospina (Pontificia
Universidad Javeriana), Bertrand Prévost (Université Bordeaux Montaigne), Elisabeth
von Samsonow (Akademie für bildende Künste Wien), Sjoerd van Tuinen (Erasmus
University Rotterdam), Kamini Vellodi (Edinburgh College of Art), Stephen Zepke
(independent researcher)

Autoren/Hrsg.

Van Tuinen, Sjoerd

Zepke, Stephen

Weitere Mitwirkende

Zepke, Stephen

Van Tuinen, Sjoerd

Alliez, Eric

Blümle, Claudia

Bonne, Jean Claude

Drews, Anne-Cathrin

Elkins, James

Freyberg, Sascha

L'Heureux, Antoine

Ionescu, Vlad

Mejía Mosquera, Juan Fernando

Chirolla Ospina, Gustavo

Prévost, Bertrand

von Samsonow, Elisabeth

Vellodi, Kamini

Fachgebiete

• Geisteswissenschaften Kunst Kunstgeschichte

Inhaltsverzeichnis

Introduction: Art History After Deleuze and GuattariSjoerd van Tuinen and Stephen Zepke
Remake/Remodel: Strategies of Reading Art HistoriansVlad Ionescu
Egon Schiele: Vitalist DeleuzianElisabeth von Samsonow
The Logic of Sensation and Logique de la sensation as Models for Experimental Writing on ImagesJames Elkins
Rhythm and Chaos in Painting: Deleuze’s Formal Analysis, Art History, and Aesthetics after Henri MaldineyClaudia Blümle
Deleuze and Didi-Huberman on Art HistoryGustavo Chirolla and Juan Fernando Mejía Mosquera
Colliding Chaoïds in IconologySascha Freyberg
The Image and the Problem of Expression: Towards an Aesthetic CosmologyBertrand Prévost
The Late and the New: Mannerism and Style in Art History and PhilosophySjoerd van Tuinen

Tintoretto’s Michelangelo: An Artistic Diagram as the a priori of Art HistoryKamini Vellodi
Painting Machines, “Metallic Suicide” and Raw Objects: Deleuze and Guattari’s Anti-Oedipus in the context of French Post-War ArtAnn-Cathrin Drews

The Buren TimesÉric Alliez with the collaboration of Jean-Claude Bonne
‘A work of art does not contain the least bit of information’: Deleuze and Guattari and Contemporary ArtStephen Zepke
Art’s Utopia: The Geography of Art against (its) HistoryAntoine L’Heureux
About the authors

Über Autor(innen)

Zepke, Stephen
Stephen Zepke is an independent researcher living in Vienna. He is the author of Sublime Art: Towards an Aesthetics of the Future (2017) and Art as Abstract Machine: Ontology and Aesthetics in Deleuze and Guattari (2005). He is the co-editor (with Simon O’Sullivan) of Deleuze, Guattari and the Production of the New (2008) and Deleuze and Contemporary Art (2010).

Van Tuinen, Sjoerd
Sjoerd van Tuinen is assistant professor of philosophy at Erasmus University Rotterdam, where he is also Co-Founder of the Erasmus Institute for Public Knowledge. He is (co-)editor of 'Deleuze and the Fold. A Critical Reader' (2010), 'Deleuze and the Passions' (2016), and 'Speculative Art Histories' (2017).

Zepke, Stephen
Stephen Zepke is an independent researcher living in Vienna. He is the author of Sublime Art: Towards an Aesthetics of the Future (2017) and Art as Abstract Machine: Ontology and Aesthetics in Deleuze and Guattari (2005). He is the co-editor (with Simon O’Sullivan) of Deleuze, Guattari and the Production of the New (2008) and Deleuze and Contemporary Art (2010).

Van Tuinen, Sjoerd
Sjoerd van Tuinen is assistant professor of philosophy at Erasmus University Rotterdam, where he is also Co-Founder of the Erasmus Institute for Public Knowledge. He is (co-)editor of 'Deleuze and the Fold. A Critical Reader' (2010), 'Deleuze and the Passions' (2016), and 'Speculative Art Histories' (2017).