Buch, Englisch, Band 11, 212 Seiten, Format (B × H): 170 mm x 230 mm, Gewicht: 581 g
Reihe: Lieven Gevaert Series
Making still Images with a Moving Camera
Buch, Englisch, Band 11, 212 Seiten, Format (B × H): 170 mm x 230 mm, Gewicht: 581 g
Reihe: Lieven Gevaert Series
ISBN: 978-90-5867-840-9
Verlag: Leuven University Press
This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).
Autoren/Hrsg.
Weitere Infos & Material
Introduction
1. Strip Photography and its Historical Context: A Camera Mechanism (Invention and Re-invention)
1.1 Panorama Photography
1.2 Photogrammetry
1.3 Peripheral Photography
1.4 The Photo Finish
1.5 Other Fields of Use
2. The Strip Technique
2.1 Shutter Technique
2.2 Film Movement
2.3 Exposure
3. Photographers Working with the Strip Technique
3.1 Photo Finish on Halfway Course
3.2 Boosting the Knowledge of the Strip Technique
3.3 The Panorama Image as a Time Span
3.4 Creative Use of the Strip Exposure
3.5 A Moving Camera
3.6 Stereo Strip Photography
3.7 Great Britain as Breeding Ground
3.8 Video Technology and Strip Images
4. Experiencing Time in a Still Image
4.1 Forgotten Possibilities of Photography and its Technique
The Dominance of the Snapshot
Perspective and the Renaissance Doctrine (Perspective and Unity of Space and Time)
Theory and Technology
Strip Images Complicate the Picture
De Duve's Space-time Construction
4.2 Reading a Non-still Image
"Reading" the Image
The Image: A Score of Time
Perspective
Rhythm
Sharpness
Music Score
5. Moving the Camera Towards Another Expression
5.1 Shift in Artists' Use of the Strip Technique
Non-scientific Use of the Strip Technique
Aesthetic Use of the Strip Technique
Meta-photographic Use of the Technique
5.2 Moving the Camera: Solving the Paradox in Dance Photography
The Paradox in Dance Photography
Silent Move
5.3 The Intrinsic Time of a Work of Art
Color Images
List of Images
Notes
Bibliography