Thomas Adès Studies

Erscheinungsjahr 2024
ISBN: 978-1-108-70813-5
Verlag: Cambridge University Press

Buch, Englisch, 336 Seiten, Format (B × H): 170 mm x 244 mm, Gewicht: 585 g

Reihe: Cambridge Composer Studies

Thomas Adès is a dominant force in contemporary music, whose work attracts significant attention and acclaim, and has been performed by many renowned ensembles. This volume – the first to present a range of scholarly essays on every aspect of Adès's music – offers authoritative accounts of Adès's major compositions from a variety of analytical, critical, cultural and historical perspectives. The opening chapters focus on Adès's earlier music, offering close readings of key works. Further essays focus on his engagement with forms and instrumental genres. The final chapters turn to Adès's texted music and highlight how themes introduced in earlier chapters cut across Adès's entire output. Richly illustrated with musical examples and supported by further online material, this book provides a multi-faceted portrait of Adès's work that opens up new ways of thinking about, and engaging with, his music.

Autoren/Hrsg.

Venn, Edward

Stoecker, Philip

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musikkritik
• Geisteswissenschaften Musikwissenschaft Geschichte der Musik Geschichte der Musik: Klassische Musik des 20./21. Jahrhunderts

Inhaltsverzeichnis

1. 'Chronically Volatile': Gesture in Adès's Living Toys and America: a Prophecy Philip Rupprecht; 2. Performing Adès Edward Venn with Henry Weekes; 3. 'Fountain of Youth', 'River of Meaning': Aesthetics of the Superficial in Powder Her Face Nicholas David Stevens; 4. 'Oh Brave New Caliban': Postcolonial Perspectives on Adès's The Tempest Jane Forner; 5. Chaconnes in the Music of Adès Philip Stoecker; 6. Closing the Circle? Tevot and the Question of Symphonic Resolution Richard Powell; 7. A World in Constant Motion: Adès's in Seven Days Amy Bauer; 8. Musique Automatique? Adèsian Automata and the Logic of Disjuncture Brian Moseley; 9. Narrating the Dance of Death: Morality and Social Critique in Adès's Totentanz Scott Lee; 10. Hearing Voices in Adès's Operas Emma Gallon; 11. The Rich Logic of Adès's the Exterminating Angel and The Tempest John Roeder; 12. Sonic Allegory in Adès's the Exterminating Angel Yayoi Uno Everett; Index.

Über Autor(innen)

Stoecker, Philip
Philip Stoecker is Professor of Music at Hofstra University. His research focuses on post-tonal theory and analysis, and the music of Thomas Adès, George Perle, and the Second Viennese School. He has published numerous journal articles on the music of the twentieth century.