Buch, Englisch, Band 49, 348 Seiten, Print PDF, Format (B × H): 150 mm x 226 mm, Gewicht: 472 g
Reihe: Brecht Yearbook
Buch, Englisch, Band 49, 348 Seiten, Print PDF, Format (B × H): 150 mm x 226 mm, Gewicht: 472 g
Reihe: Brecht Yearbook
ISBN: 978-1-64014-186-5
Verlag: Boydell & Brewer
The Brecht Yearbook, published by Camden House on behalf of the International Brecht Society, is the central scholarly forum for the study of Brecht's life and work and of topics relevant to him.
Volume 49 features the proceedings of the 17th IBS Symposium, which took place at the universities of Tel Aviv, Haifa, and Jerusalem in December 2022 under the motto "Bertolt Brecht in Dark Times: Racism, Political Oppression, and Dictatorship." It contains three thematic sections: "Brecht's Work in Israeli and Palestinian Contexts," "Brecht and Becoming, Futurity, and Thanatopolitics," and "(Anti-) Heroism and Resistance in Dark Times." The contributions discuss artists and theater companies who have engaged with Brecht's work or can be associated with it under these thematic aspects, including David Avidan, the Habima National Theater, Jindrich Honzl, the Jenin Freedom Theater, Ghassan Kanafani, Tetsuo Kogawa, Yosef Milo, Omri Nitzan, Manuel Chaves Nogales, the Ohel Theater, the Prague Liberated Theater, Samìh al-Qasim, Johan Taub, Jiri Voskovec, Günther Weisenborn, Jan Werich, and Arnold Zweig.
Contributors are Fanti Baum, Micha Braun, Bettina Christner, Manuel Clancett, Amir Farjoun, Leon Gabriel, Torben Ibs, Gad Kaynar-Kissinger, Ferdinand Klüsener, Jan Kühne, Joachim Lucchesi, Nikolaus Müller-Schöll, Riki Ophir, Avraham Oz, Rebecca Rovit, Julia Schade, and Florian Vaßen. Book Reviews edited by Lydia J. White. Reviewers: Stephen Brockmann, Ann M. Fox, Hasibe Kalkan, Sabine Kebir, Yu Wei Jie, and Gregor Schwering.
Autoren/Hrsg.
Fachgebiete
Weitere Infos & Material
Editorial
List of Abbreviations
Bertolt Brecht in Dark Times: Racism, Political Oppression, and Dictatorship
I. Brecht's Work in Israeli and Palestinian Contexts
Gad Kaynar-Kissinger (Tel Aviv)
De-estranging Strangeness: Brecht's Culinarization on Israeli Stages
Jan Kühne (Jerusalem)
Palestinian Chalk Circles and Israeli Gestus-On the Pursuit and Non-Pursuit of Brecht's Wise Attitude
Riki Ophir (Jerusalem)
Bertolt Brecht's Poetry Inside-Out, Israel-Palestine Upside Down: "The Invincible Inscription" and David Avidan's Blood-Stained Lyric
II. Brecht and Becoming, Futurity, and Thanatopolitics
Bettina Christner (Auburn, AL)
Enacting Change. Presence and Brechtian Spaces of Collective Becoming
Nikolaus Müller-Schöll (Frankfurt am Main)
Theater for Everyone and No One: "Opportunity" and "Refractory" Practice in Brecht's Work after 1937
Amir Farjoun (Haifa), Leon Gabriel (Bochum), and Julia Schade (Bochum)
"Bad, Bad, Bad, It Is Bad So!" Facing Fatzer after the Future
Ferdinand Klüsener (Bochum)
Schizo-Radio ± Learning Play. Catabolic Gestures in Bertolt Brecht, Félix Guattari, Heiner Müller, and Tetsuo Kogawa
Manuel Clancett (Berlin)
Wie Dialektik zum Genuss wird. Brechts Überbauarbeit im Spannungsfeld von Wesen und Schein
III. (Anti-) Heroism and Resistance in Dark Times
Avraham Oz (Tel Aviv)
Brecht and the Unhappy Lands of Bourgeois Heroism
Florian Vaßen (Hannover)
"Der gewöhnliche Ausgang aller Appelle der Schwachen": Lernprozesse des Widerstands mit Bertolt Brechts Lehrstückfragment Der böse Baal der asoziale
Fanti Baum (Frankfurt am Main)
Nein. Ich bin nicht einverstanden: Die Weibersache im Fatzer-Fragment
Torben Ibs (Leipzig)
Fabel versus Kontext. Wieviel Spanischer Bürgerkrieg steckt in Die Gewehre der Frau Carrar?
Micha Braun (Leipzig)
Geschichte(n) im Transit. Bearbeitungen der Biografie Julius Cäsars bei Brecht und im tschechischen "Befreiten Theater" der Zwischenkriegszeit
Rebecca Rovit (Lawrence, KS)
Brechtian Resistance and the Third Reich: Günther Weisenborn's Dramaturgy of the "Placeless Stage"
Joachim Lucchesi (Schopfheim)
"Da muss man sich wehren": Arnold Zweigs Verteidigung des Lukullus
Book Reviews
Stephen Brockmann (Pittsburgh)
Noah Willumsen. "Unsere Hoffnung heute ist die Krise": Interviews 1926-1956
Hasibe Kalkan (Istanbul)
Erol M. Boran. Die Geschichte des türkisch-deutschen Theaters und Kabaretts: Vier Jahrzehnte Migrantenbühne in der Bundesrepublik (1961-2004)
Ann M. Fox (Davidson, NC)
Elena Backhausen, Benjamin Wihstutz, and Noa Winter (eds.). Out of Time? Temporality in Disability Performance
Gregor Schwering (Bochum)
Eva Rösch. Die Restitution des Epischen unter den Bedingungen der Medienkonkurrenz: Das epische Hörspiel bei Walter Benjamin, Bertolt Brecht und Max Frisch
Yu Wei Jie (Singapore)
Wei Zhang. Chinese Adaptations of Brecht: Appropriation and Intertextuality
Sabine Kebir (Berlin)
Dieter Henning. Eisernes im Visier: Brecht und der Stalinismus
Notes on the Contributors
