Buch, Englisch, 240 Seiten, Hardback, Format (B × H): 152 mm x 229 mm
Buch, Englisch, 240 Seiten, Hardback, Format (B × H): 152 mm x 229 mm
ISBN: 978-0-8101-4437-8
Verlag: Northwestern University Press
Born in the former Russian and Austro-Hungarian empires and writing from their homes in New York, Poland, and Mandatory Palestine, the authors central to this book—Fradl Shtok, Dvora Baron, Elisheva Bikhovsky, Leah Goldberg, and Debora Vogel—seized on the freedoms of social revolution to reimagine Jewish culture beyond the traditionally male world of Jewish letters. The societies they lived in devalued women’s labor and denied them support for their work. In response, their writing challenged the social hierarchies that excluded them as women and as Jews. As she reads these women, Schachter upends the idea that literary modernity was a conversation among men about women, with a few women writers listening in. Women writers revolutionized the very terms of Jewish fiction at a pivotal moment in Jewish history, transcending the boundaries of Jewish minority identities. Schachter tells their story, and in so doing calls for a new way of thinking about Jewish cultural modernity.
Autoren/Hrsg.
Fachgebiete
Weitere Infos & Material
- Acknowledgements
- Introduction: Women, Modernism, and Jewish Modernity
- Part I. Aesthetic Authority: The Role of Women as Artists
- 1. The Disruptive Power of Prose
- 2. Dreaming of Schiller: Fradel Shtok and Aesthetic Desire
- 3. Translating Emma Bovary: Dvora Baron and Aesthetic Labor in Palestine
- Part II. New Languages for New Collectivities: The Role of Literature in Cultural Identity
- 4. The Minority Literature Question
- 5. Leah Goldberg’s Orientalist Bind
- 6. Elisheva Bikhovsky’s Minority Cosmopolitanism
- 7. Dvora Fogel’s Montage Democracy
- Conclusion: Grace Paley as the Legacy of Hebrew and Yiddish Women's Modernism
- Notes
- Bibliography
- Index