Buch, Englisch, Band 4, 324 Seiten, Format (B × H): 155 mm x 230 mm, Gewicht: 599 g
Reihe: Word and Music Studies
Essays in Honor of Steven Paul Scher and on Cultural Identity and the Musical Stage
Buch, Englisch, Band 4, 324 Seiten, Format (B × H): 155 mm x 230 mm, Gewicht: 599 g
Reihe: Word and Music Studies
ISBN: 978-90-420-0993-6
Verlag: Brill | Rodopi
The second section consists of a second set of papers presented at the conference that are devoted to a different area of word and music studies: cultural identity and the musical stage. Eight scholars investigate – and often problematize – widespread assumptions regarding ‘national’ and ‘cultural’ music, language, plots, and production values in musical stage works. Topics include the National Socialists’ construction of German national identity; reception-based examinations of cultural identity and various “national” opera styles; and the means by which composers, librettists, and lyricists have attempted to establish national or cultural identity through their stage works.
Fachgebiete
Weitere Infos & Material
Suzanne M. LODATO: Introduction
Defining the Field: In Honor of Steven Paul Scher
Walter BERNHART: Masterminding Word and Music Studies. A Tribute to Steven Paul Scher
Werner WOLF: Intermediality Revisited. Reflections on Word and Music Relations in the Context of a General Typology of Intermediality
Lawrence KRAMER: Signs Taken for Wonders. Words, Music, and Performativity
Eric PRIETO: Metaphor and Methodology in Word and Music Studies
Mary BREATNACH: Baudelaire, Wagner, Mallarmé. Romantic Aesthetics and the Word-Tone Dichotomy
Stephen BENSON: Modernism, Melocentrism and Literary History. The Case of The Waste Land
Harry E, SEELIG: “Wozu [Lieder] in dürftiger Zeit” [1958]? Britten’s Sechs Hölderlin-Fragmente as a “Literary Song Cycle”
William P. DOUGHERTY: Mignon in Nineteenth-Century Song. Text, Context, and Intertext
Peter DAYAN: On the Meaning of ‘Musical’ in Proust
Hans Rudolf VAGET: Thomas Mann at the Opera
Cultural Identity and the Musical Stage
Albrecht RIETHMÜLLER: 1933 and the Fiasco of Cultural Identities in Music
Suzanne ASPDEN: Arne’s Paradox. National Opera in Eighteenth-Century Britain
Margaret KING: Opera and the Imagined Nation. Weber’s Der Freischütz, Schinkel’s Neues Schauspielhaus and the Politics of German National Identity
Albert GIER: Guillaume Tell in French Opera: from Grétry to Rossini
Ulla-Britta LAGERROTH: National Opera Bearing Evidence of Swedish National and Nordic Cultural Identity. The Case of Wilhelm Peterson-Berger’s Viking Opera Arnljot
Simon WILLIAMS: Der Rosenkavalier and the Idea of Habsburg Austria
Michael HALLIWELL: ‘A Comfortable Society’. The 1950s and Opera in Australia
Martina ELICKER: Rock Opera – Opera on the Rocks?
Notes on the Contributors