Buch, Englisch, Band 116/14, 379 Seiten, Format (B × H): 155 mm x 235 mm, Gewicht: 798 g
ASNEL Papers 14
Buch, Englisch, Band 116/14, 379 Seiten, Format (B × H): 155 mm x 235 mm, Gewicht: 798 g
Reihe: Cross/Cultures / ASNEL Papers
ISBN: 978-90-420-2743-5
Verlag: Brill | Rodopi
Topics treated include: Caliban; English satirical iconotexts; Oriental travel writing and illustration; expatriate description and picturesque illustration of Edinburgh; ethnographic film; African studio photography; South African cartoons; imagery, ekphrasis, and race in South African art and fiction; face and visuality, representation and memory in Asian fiction; Bollywood; Asian historical film; Asian-British pop music; Australian landscape in painting and fiction; indigenous children’s fiction from Aotearoa New Zealand, Canada, and the USA; Canadian photography; Native Americans in film.
Writers and artists discussed include: Philip Kwame Apagya; the Asian Dub Foundation; Breyten Breytenbach; Richard Burton; Peter Carey; Gurinder Chadha; Daniel Chodowiecki; J.M. Coetzee; Ashutosh Gowariker; Patricia Grace; W. Greatbatch; Hogarth; Francis K. Honny; Jim Jarmusch; Robyn Kahukiwa; Seydou Keita; Thomas King; Vladyana Krykorka; Alfred Kubin; Michael Arvaarluk Kusugak; Kathleen and Michael Lacapa; László Lakner; George Littlechild; Ken Lum; Franz Marc; Zakes Mda; Ketan Mehta; M.I.A. (Maya Arulpragasam); Timothy Mo; William Kent Monkman; Lady Mary Wortley Montagu; John Hamilton Mortimer; Sidney Nolan; Jean Rouch; Salman Rushdie; William Shakespeare; Robert Louis Stevenson; Richard Van Camp; Zapiro.
Fachgebiete
- Geisteswissenschaften Sprachwissenschaft Sprachwissenschaften
- Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Kulturwissenschaften
- Geisteswissenschaften Sprachwissenschaft Historische & Vergleichende Sprachwissenschaft, Sprachtypologie
- Geisteswissenschaften Literaturwissenschaft Englische Literatur Postkoloniale Literaturen in Englisch, Englische Literatur außerhalb Europas
Weitere Infos & Material
Acknowledgements
Illustrations and Permissions
Introduction
Michael Meyer: Word & Image – Gaze & Spectacle
Colonial Representations
Daniel Jaczminski: Liberating the Strange Fish. Visual Representations of Caliban and Their Successive Emancipation from Shakespeare’s Original Text
Peter Wagner: Hogarth and the Other
Patricia Plummer: “The free treatment of topics usually taboo’d”. Glimpses of the Harem in Eighteenth- and Nineteenth-Century Literature and the Fine Arts
Cordula Lemke: Tourist Places, Other Gazes. Robert Louis Stevenson’s Edinburgh
Postcolonial Representations
Gisela Feurle: “Picture is a Silent Talker” (Apagya). African Studio Photography in the English Classroom
Sonja Altnöder: A Black and White Nation? The ‘New’ South Africa in Zapiro’s Cartoons
Marita Wenzel: Zakes Mda’s Representation of South African Reality in Ways of Dying, The Madonna of Excelsior and The Whale Caller
Heilna du Plooy: Looking Out and Looking In. The Dynamic Use of Words and Images in the Oeuvre of Breyten Breytenbach
Susan Arndt: Whiteness as a Category of Literary Analysis. Racializing Markers and Race-Evasiveness in J.M. Coetzee’s Disgrace
Ann Spangenberg: “Just for show”. Visuality in Timothy Mo’s The Monkey King
Laurence Petit: On Pickles, Pictures, and Words: Pick-torial Preservation and Verbal Self-Regeneration in Salman Rushdie’s Midnight’s Children
Lucia Krämer: “Neither united nor separated”. Negotiating Difference in Ashutosh Gowariker’s Lagaan and Ketan Mehta’s Mangal Pandey
Christine Vogt–William: Transcultural Gender Interrogations in Bride and Prejudice. Intertextual Encounters of the South Asian Diasporic Kind
Rainer Emig: Missing in Act(i)on. Asian-British Pop Music Between Resistance and Commercialization
Renate Brosch: Vernacular Landscape. Narrative Space in Peter Carey’s True History of the Kelly Gang
Michaela Moura–Koçoglu: Regaining the Past and Shaping the Present. Indigenous Children’s Fiction from Aotearoa New Zealand, Canada, and the USA
Nicole Schröder: Between Words and Images. Negotiating the Meaning of Home in Ken Lum’s There Is No Place Like Home
Jens Martin Gurr: The Mass-Slaughter of Native Americans in Jim Jarmusch’s Dead Man. A Complex Interplay of Word and Image
Notes on Contributors