Buch, Englisch, Band 3, 322 Seiten, Format (B × H): 155 mm x 235 mm, Gewicht: 692 g
Reihe: Experimental Practices
Neurocentrism, Cognition and the Challenge of the Arts and Humanities
Buch, Englisch, Band 3, 322 Seiten, Format (B × H): 155 mm x 235 mm, Gewicht: 692 g
Reihe: Experimental Practices
ISBN: 978-90-04-68128-6
Verlag: Brill
Moving beyond the neurohype of recent decades, this book introduces the concept of worlding as a new way to understand the inherent entanglement of brains/minds with their worldly environments, cultural practices, and social contexts. Case studies ranging from film, literature, music, and dance to pedagogy, historical trauma, and present-day discourses of mindfulness investigate how brains are worlded in an active interplay of biological, cognitive, and socio-discursive factors. Combining scholarly work with personal accounts of neurodiversity and essays by artists reflecting on their practical engagement with cognition, Worlding the Brain makes a case for the distinctive role of the humanities and arts in the study of brains and cognition and explores novel forms interdisciplinarity.
Fachgebiete
Weitere Infos & Material
List of Illustrations
Notes on Contributors
Introduction: Together again, Apart
Stephan Besser and Flora Lysen
Part 1: Worlded Brains
1 ‘Worlding’ the Brain through the Cultural Practice of Rhetorical memoria
Michael Burke
2 The Mediated Brain
A Case Study on Experiential Engagement with Cinematic Form
Joerg Fingerhut
3 Getting a Kick out of Film
Aesthetic Pleasure and Play in Prediction Error Minimizing Agents
Mark Miller, Marc Anderson, Felix Schoeller and Julian Kiverstein
4 Transgenerational Trauma and Worlded Brains
An Interdisciplinary Perspective on “Post-Traumatic Slave Syndrome”
Machiel Keestra
5 Beworldered
An Autobiographical Inquiry of Epileptic Being
Trijsje Franssen
6 Pedagogy and Neurodiversity
Experimenting in the Classroom with Autistic Perception
Halbe Kuipers
Part 2: Narrative Entanglements
7 Personification as Élanification
Agency Combustion and Narrative Layering in Worlding Perceived Relations
Marco Bernini
8 Cognitive Formalism
Or, How Presence Machines are Built
Karin Kukkonen
9 “Watchman, What of the Night?”
Reading Uncertainty in Djuna Barnes’s Nightwood
Shannon McBriar
10 The Unfolding Now
Narrative Sense-Making from a Neurocinematic Perspective
Pia Tikka and Mauri Kaipainen
Part 3: Figuring the Brain
11 Set and Setting of the Brain on Hallucinogen
Psychedelic Revival in the Acid Western
Patricia Pisters
12 Modeling the Model
Reflections on a 10-Year Documentary about the Blue Brain Project
Noah Hutton
13 A Monk in the Office
Mindfulness and the Valuation of Popular Neuroscience
Ties van der Werff
14 Figuring Thought
Between Experience and Abstraction
Ksenia Fedorova
PART 4: Shared Patterns and Discordant Worlds
15 Circulating Neuro-Imagery A Trilogue
Antye Guenter, Flora Lysen, and Alexander Sack
16 What Have the Arts and Humanities Ever Done for Us?
Disruptive Contributions and a 4E Cognitive Arts and Humanities
Michael Wheeler
17 Measuring Acoustic Social Worlds
Reflections on a Study of Multi-Agent Human Interaction
Shannon Proksch, Majerle Reeves, Michael Spivey and Ramesh Balasubramania
18 Harmonic Dissonance: Synchron(icit)y
A Case Study of Experimentation at the Intersection of the Arts and Sciences
Suzanne Dikker and Suzan Tunca
19 Thanks for Sharing
Local Worlds, Xeno-Patterning, and Predictive Processing
Stephan Besser
Index