Buch, Englisch, Band 20, 519 Seiten, Format (B × H): 16 mm x 23 mm
Reihe: Cross/Cultures
Creations, Cameos, and Essays in honour of Anna Rutherford
Buch, Englisch, Band 20, 519 Seiten, Format (B × H): 16 mm x 23 mm
Reihe: Cross/Cultures
ISBN: 978-90-5183-964-7
Verlag: Brill | Rodopi
Weitere Infos & Material
H. MAES-JELINEK: Prologue and Acknowledgements
D. JEFFARES: To Anna
A. van HERK: Anna Rutherford Excursions
L. JENSEN: The Far Outdoors
M. BUTCHER: An Open Letter to Anna
K. STUCKERT: Claiming an Identity They Taught Me to Despise
M. FABRE: Dear Anna
D. KILLAM: Unchallenged Excellence
M. JØRGENSEN: Friendship in a Second Language
W. HARRIS: A Brief Memoir
B. FARMER: Annas Hus
J. DELBAERE: Annaarhus
J. KEMP: In Menton after EACLALS at Nice
C. CLAYTON: The Secret Spring
A. HASHMI: Anna and Kirsten: A Photograph
K. SINGH: Looking Back
A. MILLER: The Wine Merchant of Aarhus
D. DABYDEEN: from The Counting House
I. STEPHEN: Cyanus
M. HALLIGAN: Shagreen
J. ARASANAYAGAM: from Dragons in the Wilderness: The Father (Early 1900s)
J. THIEME: The Word
P.O. STUMMER: The Unbiassed Search
D. JEFFARES: A Dreaming Sequence
L.A. MURRAY: Cotton Flannelette
D. FAHEY: Macaws
L. EDMOND: Tree surgeon; Bronze in a town square, City of Derry, Northern Ireland; Trapeze; Undeserved
I. ADAM: from GLASS/gloss: Hopscotch; this is my spring poem
B. BENNETT: Homecomings
B. MATTHEWS: Tears
D. MACDERMOTT: Of Maps, Shipwrecks, and Islands
N. WATTIE: Singing for Witi and Ross
A. TAYLOR: Spring
S. GRAY: Ovid in His Exile
Y. GOONERATNE: Do Not Show Me the Graves
J. ARASANAYAGAM: Decolonizing the Self
H. TIFFIN: African Violets
I. STEPHEN: Poems and photo-poems
M. SHARKEY: Rite of Passage; The New Boy; Recollecting the Köln Master's Faces
A. HASHMI: Salaam to T-Sai Lun; Tropics
S. NASTA: Wasafiri
P. SHARRAD: The Post-Colonial Gesture
G. TURCOTTE: Prolegomena to Un/Covering Alter/Native Scripts
L. DOBREZ: Not European-Made
A. NIVEN: Wordsworth's ‘Daffodils’
V.J. RAMRAJ: The Anna Rutherford-Aarhus Conference
J. STRAUSS: Tierra del Fuego
E. LINDSAY: ‘From the earth is risse a sun’
B. CLUNIES ROSS: On Not Meeting Barbara Hanrahan in the Adelaide Suburbs
D. BRYDON: Trousered Women
D. JONES: Women, Place, and Myth-Making
I. CARRERA SUÁREZ: Carnal and Spiritual Empires
M. WARNER: Siren, Hyphen, or, The Maid Beguiled
C. ZABUS: The Power of ‘the Blue-Eyed Hag’
J. KIRKBY: Abject Discourse and the Imperial Gaze in Rosa Cappiello's Oh Lucky Country
H. TIFFIN: ‘Persistent Rumours’
J. BARDOLPH: Celebration of Life, Celebration of Language
B. OLINDER: Gender-Power Issues in Indian Terms
L. WHITE: Massamba with the Brilliant Flowers; The Three Graces; Update from a Distant Friend
S. BALLYN: The Grass Spider; Nothing is; Rooms
A. WALMSLEY: Bridges of Sleep
M. WILLIAMS: ‘Urban Archipelagoes’
M. McWATT: The Loneliness of the Long-Distance Writer
S. THOMAS: Conflicted Textual Affiliations
T. CRIBB: From Aran to St Lucia
B. LEDENT: Is Counter-Discursive Criticism Obsolescent?
L. JAMES: Eating the Dead
E. BAUGH: You ever notice how
V. POLLARD: Name
A. DRAYTON: Homage to Miss Vincy
G. LERNOUT: ‘What Shall We Do With The Shrunken Tailor?’
G. STILZ: Return to the Jungle?
D.C.R.A. GOONETILLEKE: Quartet: The Other Tagore
S. GEOK-LIN LIM: Crossroads and Crossed Words
K. SINGH: Cosmopolitanism in Singaporean Literature in English
S. NANDAN: Shooting the Deer, Shimla
D. RIEMENSCHNEIDER: taj view; at dhvanyaloka; delhi; dawn; pocomaniacs
G. DAVIS: The Intoxicated Octopus and the Garlic-Kissed Prawn
B. LINDFORS: Towards an Achebe Iconography
I. VIVAN: Nuruddin Farah's Beautiful Mat and its Italian Plot
C.A. HOWELLS: Taking Risks
M. LEER: The Map of the Story
B. HICKEY: Opting for Newfoundland
K. GROSS: The Voyageurs
C. TIFFIN: Pacific Writing and the Diminishing Islands
W.H. NEW: A Prologue to Mansfield's Epilogues
J.-P. DURIX: Patricia Grace's Potiki or the Trickster behind the Scenes
R. SELLICK: Alex Miller: Games and Puzzles
R. McDOUGALL: George Darrell's The Sunny South
V. BRADY: ‘This world, the next world, and Australia’
J. STRAUSS: Inscribing the Tree in the Poetry of Judith Wright
G. GRIFFITHS: Representing Difference in Sam Watson's The Kadaitcha Sung
G. HUGGAN: Peter Carey's Fiction and the Incriminated Reader
P. DOBREZ: The Bundanon Gift
G. COLLIER: Commas, Caps, and Corrections