Aicher | the world as design | E-Book | sack.de
E-Book

E-Book, Englisch, 190 Seiten, E-Book

Aicher the world as design


2. Auflage 2015
ISBN: 978-3-433-60583-7
Verlag: Ernst & Sohn
Format: EPUB
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 190 Seiten, E-Book

ISBN: 978-3-433-60583-7
Verlag: Ernst & Sohn
Format: EPUB
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)



Otl Aicher's writings are explorations of the world, a substantive part of his work. In moving through the history of thought and design, building and construction, he assures us of the possibilities of arranging existence in a humane fashion. As ever he is concerned with the question of the conditions needed to produce a civilised culture. These conditions have to be fought for against apparent factual or material constraints and spiritual and intellectual substitutes on offer.Otl Aicher likes a dispute. For this reason, the volume contains polemical statements on cultural and political subjects as well as practical reports and historical exposition. He fights with productive obstinacy, above all for the renewal of Modernism, which he claims has largely exhausted itself in aesthetic visions; he insists the ordinary working day is still more important than the "cultural Sunday".Wolfgang Jean Stock
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preface by sir norman fosterintroductioncrisis of modernismdoing without symbolsaesthetic existencethe third modernismcharles eameshans gugelotflying machines by paul mc creadybauhaus and ulmarchitecture as a reflection of the statethe non-usable useful itemthe signatureintelligent buildingmy workspace does not yet existdifficulties for architects and designersappearancegraphic designers` space tob e themselvesa new typefacethe world as designafterwordsources


Otl Aicher (1922-1991) was an outstanding personality in modern design, he was a co-founder of the legendary Hochschule für Gestaltung (HfG), the Ulm School of Design, Germany. His works since the fifties of the last century in the field of corporate design, e.g. Lufthansa, and his pictograms for the 1972 Summer Olympics in Munich are major achievements in the visual communication of our times. Wolfgang Jean Stock is an architectural historian and author. As a critic he writes articles i.a. for Frankfurter Allgemeine Zeitung, Süddeutsche Zeitung, and international journals of architecture.



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