Buch, Englisch, 332 Seiten, Format (B × H): 170 mm x 230 mm, Gewicht: 992 g
Buch, Englisch, 332 Seiten, Format (B × H): 170 mm x 230 mm, Gewicht: 992 g
ISBN: 978-94-6270-225-7
Verlag: LEUVEN UNIV PR
account of media art issues in the early 21st century
Early 21st century media arts are addressing the
anxieties of an age shadowed by ubiquitous surveillance, big data profiling,
and globalised translocations of people. Altogether, they tap the overwhelming
changes in our lived experience of self, body, and intersubjective relations. Shifting Interfaces addresses current
exciting exchanges between art, science, and emerging technologies,
highlighting a range of concerns that currently prevail in the field of media
arts. This book provides an up-to-date perspective on the field, with a
considerable representation of art-based research gaining salience in media art
studies. The collection attends to art projects interrogating the destabilisation
of identity and the breaching of individual privacy, the rekindled interest in
phenomenology and in the neurocognitive workings of empathy, and the routes of
interconnectivity beyond the human in the age of the Internet of Things. Offering
a diversity of perspectives, ranging from purely theoretical to art-based
research, and from aesthetics to social and cultural critique, this volume will
be of great value for readers interested in contemporary art,
art-science-technology interfaces, visual culture, and cultural studies.
Contributors: Hava
Aldouby (The Open University of Israel), Grant Bollmer (North Carolina State
University / University of Sydney), Andrea Pinotti (University of Milan), Daniel
H. Landau (Aalto University / Interdisciplinary Center Herzliya), Wendy Jo Coones (Danube University Krems), Paul Sermon (University
of Brighton), Ryszard Kluszczynski (University of Lodz), Derek Curry (Northeastern
University, Boston), Jennifer Gradecki (SUNY Buffalo / Northeastern University,
Boston), Tsila Hassine (Shenkar College of Engineering and Design /
Paris 1 Pantheon Sorbonne), Ziv Neeman (independent scholar), Manuela Naveau (Ars
Electronica, Linz), Aaron Burton (University of Wollongong), Yvonne Volkart (Academy of Art and Design, FHNW Basel), Jens Hauser
(IKK & Medical Museion, Copenhagen University), Adam Brown (Michigan State
University), Jonas Jørgensen (IT University of Copenhagen), Olga Kisseleva
(Université de Paris 1 Panthéon-Sorbonne)
This publication is GPRC-labeled (Guaranteed Peer-Reviewed Content).
Autoren/Hrsg.
Fachgebiete
Weitere Infos & Material
Introduction:
Shifting Interfaces
Hava Aldouby
I Immersion, Empathy, and Presence: Manipulating
the Boundaries of Self and Body
From
Immersion to Empathy: The Legacy of Einfühlung
in Virtual Reality and Digital Art
Grant Bollmer
Avatars:
Shifting Identities in a Genealogical Perspective
Andrea Pinotti
Meeting
Yourself in Virtual Reality: A Performative Experiment in Self-Compassion
Daniel Landau
Art and
Presence: Investigating Embodiment in a Virtual Art Gallery
Hava Aldouby
Shared
Objective Empathy in Telematic Space
Paul Sermon
Elaborating
Mediation Through Media Arts
Wendy Coones
II Subjects of Surveillance: Reclaiming Human
Agency in the Big Data Universe
Qualculative
Poetics: An Artistic Critique of Rational Judgment
Derek Curry and Jennifer Gradecki
Google,
Shmoogle: A Critical Twist on Search Engine Ideology
Ziv Neeman and Tsila Hassine
Sculpting
Time: The Art of Collective Memory
Ryszard W. Kluszczynski
The Logic
of Participation in Digital Art and Network Culture
Manuela Naveau
Aesthetic Strategies
in the Wasteocene
Yvonne Volkart
III Bacteria and Smart Objects: Presences Beyond
the Human
Rehabilitating
Bacteria: An Epistemological Art/Science Interface
Jens Hauser
Exceptional
Matters
Adam W. Brown
From So
Sculpture to So Robotics: Retracing Entropic Aesthetics of the Life-like
Jonas Jørgensen
Natures
Mortes, Live Data: The Art Object in the IoT Era
Tsila Hassine, Olga Kisseleva
Unmanned
Imaging of the Anthropocene
Aaron Burton
List of
Contributors
Index
Color
Plates