Analyzing Musicals

Erscheinungsjahr 2023
ISBN: 978-0-472-13331-4
Verlag: University of Michigan Press

Buch, Englisch, 292 Seiten, Hardback, Format (B × H): 152 mm x 229 mm

Reihe: Tracking Pop

This book offers a series of essays that show the integrated role that musical structure (including harmony, melody, rhythm, meter, form, and musical association) plays in making sense of what transpires onstage in musicals. Written by a group of music analysts who care deeply about musical theater, this collection provides new understanding of how musicals are put together, how composers and lyricists structure words and music to complement one another, and how music helps us understand the human relationships and historical and social contexts. Using a wide range of musical examples, representing the history of musical theater from the 1920s to the present day, the book explores how music interacts with dramatic elements within individual shows and other pieces within and outside of the genre. These essays invite readers to consider issues that are fundamental both to our understanding of musical theater and to the multiple ways we engage with music.

Autoren/Hrsg.

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Musikwissenschaft Allgemein Musiktheorie, Musikästhetik, Kompositionslehre
• Geisteswissenschaften Musikwissenschaft Musikgattungen Musicals

Inhaltsverzeichnis

- List of Examples and Figures
- List of Tables
- Acknowledgements
- Introduction
- Michael Buchler and Gregory J. Decker
- Part 1: Chapters that engage multiple works
- Chapter 1. “Was It Ever Real?”: Tonic Return via Stepwise Modulation in Broadway Songs
- Nathan Beary Blustein (American University)
- Chapter 2. Sondheim’s Dissonant Tonality
- Drew Nobile (University of Oregon)
- Chapter 3. Topical Interpretive Strategies in American Musical Theatre: Three Brief Case Studies
- Gregory J. Decker (Bowling Green State University)
- Chapter 4. A Phenomenological Approach to Music Theater Rhyme
- Richard Plotkin (New York, NY)
- Chapter 5. The Changing Rhythms of Bridges and Ends
- Rachel Short (Shenandoah Conservatory)
- Part 2: Chapters that engage a single work, organized chronologically
- Chapter 6. Three Notions of Long-Range Form in Guys and Dolls
- Michael Buchler (Florida State University)
- Chapter 7. Style, Tonality, and Sexuality in The Rocky Horror Show
- Nicole Biamonte (McGill University)
- Chapter 8. Music, Time, and Memory in Jason Robert Brown’s The Last Five Years
- Jonathan De Souza (University of Western Ontario)
- Chapter 9. Lesbian Desire in Fun Home
- Rachel Lumsden (Florida State University)
- Chapter 10. The Hip-Hop History of Hamilton
- Robert Komaniecki (University of Iowa)
- Chapter 11. “Isn’t it queer?”: The Kinsey Sicks and the Art of Broadway Parody
- J. Daniel Jenkins (University of South Carolina)
- List of Contributors
- Index