Barasch Theories of Art

3. From Impressionism to Kandinsky
Erscheinungsjahr 2013
ISBN: 978-1-135-19966-1
Verlag: CRC Press
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 400 Seiten

First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.

Autoren/Hrsg.

Barasch, Moshe

Fachgebiete

• Sozialwissenschaften Medien- und Kommunikationswissenschaften Medienwissenschaften
• Sozialwissenschaften Soziologie | Soziale Arbeit Spezielle Soziologie Mediensoziologie
• Geisteswissenschaften Kunst Kunstgeschichte

Inhaltsverzeichnis

Preface; Introduction; I. Impressionism; 1. Introduction: The Crisis of Realism; 2. Aesthetic Culture in the Literature of the Time; 3. Impressionism and the PHilosophical Culture of the Time; 4. Science and Painting; 5. Impressionism: Reflections on Style; 6. The Fragment as Art Form; II. Empathy; 7. Introduction: An Empathy Tradition in the Theory of Art; 8. Gustav Fechner; 9. Charles Darwin: The Science of Expression; 10. Robert Vischer; 11. Empathy: Toward a Definition; 12. Wilhelm Dilthey; 13. Conrad Fiedler; 14. Adolf Hildebrand; 15. Alois Riegl; 16. Wilhelm Worringer: Abstraction and Empathy; III. Discovering the Primitive; 17. Introduction: Conditions of Modern Primitivism; 18. The Beginnings of Scholarly Study: Gottfried Semper; 19. Discovering Prehistoric Art; 20. Understanding Distant Cultures: The Case of Egypt; 21. Gauguin; 22. African Art; IV. Abstract Art; 23. Abstract Art: Origins and Sources; 24. The Subject Matter of Abstract Painting; 25. Color; 26. Line; 27. Composition and Harmony; Bibliographical Essay; Name Index; Subject Index

Über Autor(innen)

Moshe Barasch is Jack Cotton Professor of Architecture and Fine Arts at the Hebrew University of Jerusalem and author of numerous books on art, including The Language of Art: Studies in Interpretation (1997) and Icon: Studies in the History of an Idea (1995).