Buch, Englisch, Band 42, 228 Seiten, Format (B × H): 155 mm x 235 mm, Gewicht: 680 g
Negotiating Past and Present in Kwaya Music of Tanzania
Buch, Englisch, Band 42, 228 Seiten, Format (B × H): 155 mm x 235 mm, Gewicht: 680 g
Reihe: Church and Theology in Context
ISBN: 978-90-420-0827-4
Verlag: Brill | Rodopi
An East African kwaya is a community that gathers several times each week to define its spirituality musically. Members of kwayas come together to sing, to pray, to support individual members in times of need, and to both learn and pass along new and inherited faith traditions. Kwayas negotiate between multiple musical traditions or just as often they reject an inherited musical system while others may continue to engage musical repertoires from both Europe and Africa. Contemporary kwayas comfortably coexist in the urban musical soundscape of coastal Dar es Salaam along with jazz dance bands, taarab ensembles, ngoma performance groups, Hindi film music, rap, reggae, and the constant influx of recorded American and European popular musics.
This ethnography calls into question terms frequently used to draw tight boundaries around the study of the arts in African expressive religious cultures. Such divisions of the arts present well-defended boundaries and borders that are not sufficient for understanding the change, adaptation, preservation, and integration that occur within a Tanzanian kwaya. Boundaries break down within the everyday performance of East African kwayas, such as Kwaya ya Upendo [“The Love Choir”] in Dar es Salaam, as repertoires, traditions, histories, and cultures interact within a performance of social identity.
Autoren/Hrsg.
Fachgebiete
- Geisteswissenschaften Christentum, Christliche Theologie Praktische Theologie Liturgik, Christliche Anbetung, Sakramente, Rituale, Feiertage
- Geisteswissenschaften Christentum, Christliche Theologie Christentum/Christliche Theologie Allgemein Missionswissenschaft, Missionsgeschichte
- Sozialwissenschaften Ethnologie | Volkskunde Ethnologie Kunstethnologie, Musikethnologie
- Sozialwissenschaften Ethnologie | Volkskunde Ethnologie Religionsethnologie
Weitere Infos & Material
Acknowledgements
Note on Language-Kiswahili Orthography
Photographs and Figures
Recorded Examples
Introduction
Chapter One
Theories, Frames, Methods, and Lenses: An Ethnographic Approach to the Study of Tanzanian Kwaya Music
Chapter Two
East African Kwaya Music and the Colonial and Missionary Encounter
Chapter Three
Conflicting, Complementary, and Divergent Aesthetics of Kwaya Music
Chapter Four
“We Are From Different Tribes, But We Live Here As One Family”: The Musical Performance of Community in an East African Kwaya
Chapter Five
Kwaya Music and the Performance of Spirituality and Disaffection: Music and Worship in a Tanzanian Kwaya Community
Chapter Six
Kwayas. Kandas. Kiosks: Tanzanian Popular Kwaya Music
Chapter Seven
Social Organization and the Creation of Sacred Space within Kwaya ya Upendo
Chapter Eight
“I Am Able To See Very Far But I Am Unable To Reach There”: Ndugu Gideon Mdegella's Nyimbo za Kwaya
Chapter Nine Conclusion
References Cited
Glossary
Appendices
Index