Buch, Englisch, Band 56, 240 Seiten, Format (B × H): 155 mm x 235 mm, Gewicht: 512 g
Reihe: DQR Studies in Literature
Experimental and Unconventional Irish Drama since the Revival
Buch, Englisch, Band 56, 240 Seiten, Format (B × H): 155 mm x 235 mm, Gewicht: 512 g
Reihe: DQR Studies in Literature
ISBN: 978-90-420-3919-3
Verlag: Brill | Rodopi
Fachgebiete
Weitere Infos & Material
Acknowledgments
Joan FitzPatrick Dean and José Lanters: Introduction
Christopher Collins: “This World of Inarticulate Power”: J.M. Synge's Riders to the Sea and Magical Realism
Fiona Brennan: “Magic and Menace”: A Re-evaluation of George Fitzmaurice's The Magic Glasses
Michael Pierse: Cock-a-Doodle Dandy: O'Casey's Total Theatre
Alexandra Poulain: The Passion of Harry Heegan: Sean O'Casey's The Silver Tassie
Ondrej Pilný: Doing Justice to Swift: Denis Johnston's Solution in Diverse Modes
Akiko Satake: Jack B. Yeats' In Sand: An Experiment in the Toy Theatre
Ian R. Walsh: Theatricality in Verse: Donagh MacDonagh's Happy as Larry and the Lyric Theatre
Michael A. Moir, Jr: Childe Louis to the Broadcast Tower Came: Louis MacNeice, Radio Drama and the Dismantling of Yeatsian Theatrical Space
Peter O'Rourke: Illuminating the Margins of History: Non-Realist Motivations in the Work of Thomas Kilroy
Mary Ann Ryan: Fear and Loathing in Fermanagh: Apostasy and Ambiguity in Vincent Woods' At the Black Pig's Dyke
Charlotte J. Headrick: Through a Woman's Eyes: Non-realistic Directing Strategies for Staging Plays by Irish Female Dramatists
Clare Wallace: “The Heel of the Oppressor in a Ferragamo Shoe”: Medium and Message in Improbable Frequency
Charlotte McIvor: Ireland, China, Belgium, Finland: Brokentalkers and the Transnational Connectivities of Post-Celtic Tiger Performance
Notes on Contributors
Index