Bradley / Desmond The Montpellier Codex

The Final Fascicle. Contents, Contexts, Chronologies
1. Auflage 2018
ISBN: 978-1-78744-182-8
Verlag: De Gruyter
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, Band 16, 351 Seiten

Reihe: Studies in Medieval and Renaissance Music

The final section of the Montpellier Codex analysed in full for the first time, with major implications for late-medieval music.

Autoren/Hrsg.

Bradley, Catherine

Bradley, Catherine A

Desmond, Karen

Weitere Mitwirkende

Stones, Alison

Grau, Anna Kathryn

Ibos-Augé, Anne

Maw, David

Pesce, Dolores

Breen, Edward George

Maschke, Eva M.

Desmond, Karen

Dobby, Margaret

Everist, Mark

Wolinski, Mary

Huck, Oliver

Davies, Rachel

Baltzer, Rebecca

Curran, Sean

Guhl-Miller, Solomon

Fachgebiete

• Geisteswissenschaften Musikwissenschaft Geschichte der Musik
• Geisteswissenschaften Literaturwissenschaft Europäische Literatur

Inhaltsverzeichnis

Introduction
Montpellier 8: Anatomy of. - Mark Everist
A palaeographical analysis of the verbal text in Montpellier 8: problems, implications, opportunities - Sean Curran
The style and iconography of Mo folio 350 - Alison Stones
The decoration of Montpellier Fascicle 8: its place in the continuum of Parisian manuscript illumination - Rebecca Baltzer
Double motet layouts in the Montpellier Codex and contemporaneous Libri motetorum - Oliver Huck
Deus in adiutorium revisited: sources and contexts - Eva M. Maschke
Thematic clusters and compilational strategies in Mo 8 - Anna Kathryn Grau
Texture, rhythm, and stylistic groupings in Montpellier's eighth fascicle motets - Karen Desmond
'Je le temoin en mon chant': The art of diminution in the Petronian triplum - David Maw
How rhythmically innovative is the eighth fascicle of the Montpellier Codex? - Mary Wolinski
Re-presentation in the Ars antiqua: from chant to polyphony - Solomon Guhl-Miller
'[.] Que ne dit "cief bien seans"': Quoting Motets in Mo 8 - Anne Ibos-Augé
Montpellier, Fascicle 8 PORTARE Motets and tonal exploration - Dolores Pesce
Repetitions, rhythmical evolution, and rhetoric in the Montpellier Codex - Margaret Dobby
Shedding light on Mo 8,304: Alma virgo virginum/Benedicta es, Maria - Rachel Davies
A performance and reception history of On parole/A Paris/FRESE NOUVELE - Edward George Breen