Carbone The Flesh of Images

Merleau-Ponty between Painting and Cinema
1. Auflage 2015
ISBN: 978-1-4384-5880-9
Verlag: De Gruyter
Format: EPUB
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, 128 Seiten

Reihe: SUNY series in Contemporary Continental Philosophy

Highlights Merleau-Ponty’s interest in film and connects it to his aesthetic theory.

Autoren/Hrsg.

Carbone, Mauro

Weitere Mitwirkende

Nijhuis, Marta

Fachgebiete

• Geisteswissenschaften Philosophie Ästhetik

Inhaltsverzeichnis

Acknowledgments

Introduction: The Flesh and the Thinking of the Visual Today

1. Flesh: Toward the History of a Misunderstanding

2. It Takes a Long Time to Become Wild: Gauguin According to Merleau-Ponty, Merleau-Ponty According to Gauguin

3. “Making Visible”: Merleau-Ponty and Paul Klee

4. The Philosopher and the Moviemaker: Merleau-Ponty and Cinematic Thinking

5. The Light of the Flesh: Anti-Platonistic Instances and Neoplatonic Traces in the Later Merleau-Ponty’s Thinking

6. The Sensible Ideas Between Life and Philosophy

Notes
Index

Über Autor(innen)

Mauro Carbone is Full Professor of Philosophy at the University of Lyon 3 and a senior member of the Institut Universitaire de France. His books include An Unprecedented Deformation: Marcel Proust and the Sensible Ideas (translated by Niall Keane), also published by SUNY Press. Marta Nijhuis is Lecturer in Philosophy and Theory of Images at the University of Lyon 3 and at EAC Lyon.