Screens

0. Auflage 2016
ISBN: 978-94-6298-190-4
Verlag: Amsterdam University Press

Buch, Englisch, 358 Seiten, Format (B × H): 235 mm x 159 mm, Gewicht: 566 g

Reihe: Key Debates - Mutations and Appropriations in European Film Studies

We live in an era of screens. No longer just the place where we view movies, or watch TV at night, screens are now ubiquitous, the source of the majority of information we consume daily, and a crucial component of our basic interactions with colleagues, friends, and family. This transformation has happened almost without us realizing it-and certainly without the full theoretical and intellectual analysis it deserves.

Screens brings together scholars from a variety of disciplines to analyse the growing presence and place of screens in our lives today. They tackle such topics as the archaeology of screens, film and media theories about our interactions with them, their use in contemporary art, and the new avenues they open up for showing films and other media in non-traditional venues.

Autoren/Hrsg.

Chateau, Dominique

Moure, José

Weitere Mitwirkende

Avezzu, Giorgio

Begin, Richard

Bellour, Raymond

Beugnet, Martine

Carbone, Mauro

Christie, Ian

Crough, Olivia

Huhtamo, Erkki

Kessler, Frank

Lefebvre, Simon

Marks, Laura

Odin, Roger

Oever, Annie

Rogers, Ariel

Strauven, Wanda

Toddi, Emmanuelle

Verhoeff, Nanna

Fachgebiete

• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmtheorie, Filmanalyse

Inhaltsverzeichnis

Editorial Acknowledgments Introduction: Dominique Chateau, José Moure. Section One: Archeology/History 1. "Rectangle-Film" (1918), Emmanuele Toddi [Pietro silvio Rivetta] 2. "Intersections of Protection and Display in the History of the Screen", Giorgio Avezzù 3. "The Stuff of Screens", Ian Christie 4. "History of screening", José Moure Section Two: Technology and new practices 1. "Scaling Down: Cinerama on Blu-ray", Ariel Rogers 2. "From the augmented body to the somatic image", Richard Bégin 3. "Screenic touching and screenic seeing", Wanda Strauven 4. "3D screen in theater space", Simon Lefebvre Section Three: Theory 1. "From Screen-scape to Screen-sphere": A Meditation in Medias Res", Vivan Sobchack 2. ???, Raymond Bellour 3. "La notion d'écran mental. Écran intériorisé, écran rêvé, écran construit", Roger Odin 4. "Between denial and fascination: screen attraction", Dominique Chateau TBC. Salvador Rubio Marco TBC. Erkki Huhtamo TBC. Nanna Verhoeff Section Four: Dialogues Laura Marks in conversation Martine Beugnet & Annie van den Oever in conversation?? Laura Mulvey on so-called "screen theory" Notes General Bibliography Notes on Contributors Index of Names Index of Film Titles Index of Subjects

Über Autor(innen)

Moure, José
José Moure is Professor of Cinema Studies in the Sorbonne School of the Arts at Panthéon-Sorbonne University, Paris I. He is director of the Research Institute ACTE.

Chateau, Dominique
Dominique Chateau is Emeritus Professor of Aesthetics and Cinema at the Sorbonne School of the Arts at Panthéon-Sorbonne University, Paris I.

"https://www.univ-paris1.fr/recherche/page-perso/page/?tx_oxcspagepersonnel_pi1%5Buid%5D=chateau" target="_blank"> Dominique Chateau is Professor at the University of Paris 1 Panthéon-Sorbonne. He teaches film studies and has written some books on film theory. He has also been the editor of Subjectivity's, the Second volume in the Key Debates series. "https://www.univ-paris1.fr/recherche/page-perso/page/?tx_oxcspagepersonnel_pi1%5Buid%5D=jmoure" target="_blank"> José Moure is Professor at the University of Paris 1 Panthéon-Sorbonne. He teaches film studies and has written some books on film theory. He has also been the editor of Subjectivity, the Second volume in the Key Debates series.series.