Buch, Englisch, Band 43, 234 Seiten, Format (B × H): 150 mm x 220 mm, Gewicht: 376 g
Popular Forms in Theatre, Fiction and Film
Buch, Englisch, Band 43, 234 Seiten, Format (B × H): 150 mm x 220 mm, Gewicht: 376 g
Reihe: At the Interface / Probing the Boundaries
ISBN: 978-90-420-2340-6
Verlag: Brill | Rodopi
Clowns, Fools and Picaros represents the latest research on the clown, bringing together for the first time studies from four continents: Europe, America, Africa and Asia. It attempts to ascertain commonalities, overlaps and differences between artistic expressions of the “clownesque” from these various continents and genres, and above all, to examine the role of the clown in our cultures today.
This volume is of interest for scholars of political and comic drama, film and visual art as well as scholars of comparative literature and anthropology.
Fachgebiete
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatergeschichte
- Geisteswissenschaften Literaturwissenschaft Literaturwissenschaft
- Geisteswissenschaften Literaturwissenschaft Vergleichende Literaturwissenschaft
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Theaterwissenschaft Theatertheorie, Ästhetik des Theaters, Theaterkritik
- Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmtheorie, Filmanalyse
Weitere Infos & Material
David ROBB: Introduction
Robert CHEESMOND: Where the Antic Sits
Faye RAN: Modern Tragicomedy and the Fool
Ashley TOBIAS: The Postmodern Theatre Clown
Rüdiger GÖRNER: Nietzsche and the Praise of Masks
Maxim Leonid WEINTRAUB: Clowning Around at the Limits of Representation: On Fools, Fetishes and Bruce Naumann’s Clown Torture
Barbara LEWIS: An American Circus: the Lynch Victim as Clown
Kayode Gboyega KOFOWOROLA: The Court Jester in Nigerian Drama
Ron JENKINS: “Fratello Arlecchino”: Clowns, Kings, and Bombs in Bali
Stephen KNAPPER: Scaramouche: The Mask and the Millenium
Des O’RAWE: The Cinema of Masks: Commedia dell ‘Arte and Jean Renoir’s The Golden Coach
David ROBB: From Nestroy to Wenzel & Mensching: Carnivalesque Revolutionaries in the German-Speaking Theatrical Tradition
Marina KOTZAMANI: Karlos Koun, Karaghiozis and The Birds: Aristophanes as Popular Theatre
Stephen LLANO: The Clown as Social Critic: Kerouac’s Vision
Bernhard MALKMUS: Picaresque Narratology: Lazarillo de Tormes and Edgar Hilsenrath’s Der Nazi und der Friseur