The Paradigm of Recognition

Freedom as Overcoming the Fear of Death
Erscheinungsjahr 2012
ISBN: 978-90-04-23056-9
Verlag: Brill

Buch, Englisch, Band 7, 214 Seiten, Format (B × H): 155 mm x 235 mm, Gewicht: 476 g

Reihe: Critical Studies in German Idealism

In The Paradigm of Recognition. Freedom as Overcoming the Fear of Death Paul Cobben defends the position that Hegel’s Phenomenology of Spirit contains all the building blocks to elaborate a paradigm of recognition which fundamentally criticizes the contemporary versions of Habermas, Rawls and Honneth. In his concept of recognition, the fear of death is the central category to understand the mediation between freedom and nature. Cobben not only systematically reconstructs how this view results from Hegel’s criticism of Hume and Kant, but also shows how Hegel’s three-part division of social freedom is based on this mediation. Therefore, Honneth wrongly thinks that his three forms of social freedom (related to love, respect and solidarity) correspond to Hegel’s three-part division.

Zielgruppe

All institutes, academic libraries, specialists, post-graduate students, undergraduate students interested in the contemporary debate on recognition and its philosophical history.

Autoren/Hrsg.

Cobben, Paul

Fachgebiete

• Geisteswissenschaften Philosophie Geschichte der Westlichen Philosophie Westliche Philosophie: 19. Jahrhundert
• Geisteswissenschaften Philosophie Geschichte der Westlichen Philosophie Westliche Philosophie: Deutscher Idealismus

Über Autor(innen)

Cobben, Paul
Paul Cobben, Ph.D. (1988), University of Amsterdam, is Professor of the History of Modern Philosophy at Tilburg University. His publications include Hegel-Lexikon (ed.) (Wissenschaftliche Buchgesellschaft, 2006) and The Nature of the Self (De Gruyter, 2009).

Paul Cobben, Ph.D. (1988), University of Amsterdam, is Professor of the History of Modern Philosophy at Tilburg University. His publications include Hegel-Lexikon (ed.) (Wissenschaftliche Buchgesellschaft, 2006) and The Nature of the Self (De Gruyter, 2009)