Buch, Englisch, Band 49, 320 Seiten, Format (B × H): 155 mm x 235 mm, Gewicht: 489 g
Reihe: Postmodern Studies
Readymades, Meaning, and the Age of Consumption
Buch, Englisch, Band 49, 320 Seiten, Format (B × H): 155 mm x 235 mm, Gewicht: 489 g
Reihe: Postmodern Studies
ISBN: 978-90-420-3681-9
Verlag: Brill | Rodopi
David Banash adeptly surveys the reinvention of collage by a generation of postmodern artists who develop new forms including cut-ups, sampling, zines, plagiarism, and copying to cope with the banalities and demands of consumer culture. Banash argues that collage mirrors the profoundly dialectical relations between the cut of assembly lines and the readymades of consumerism even as its cutting-edges move against the imperatives of passive consumption and disposability instituted by those technologies, forms, and relations.
Collage Culture surveys and analyzes works of advertising, assemblage, film, literature, music, painting, and photography from the historical avant-garde to the most recent developments of postmodernism.
Fachgebiete
- Geisteswissenschaften Literaturwissenschaft Literatursoziologie, Gender Studies
- Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: 20./21. Jahrhundert
- Geisteswissenschaften Kunst Kunst, allgemein Kunsttheorie, Kunstphilosophie
- Geisteswissenschaften Kunst Kunstformen, Kunsthandwerk Andere Graphische Kunstformen
- Geisteswissenschaften Literaturwissenschaft Literaturtheorie: Poetik und Literaturästhetik
- Geisteswissenschaften Geschichtswissenschaft Geschichtliche Themen Kultur- und Ideengeschichte
Weitere Infos & Material
Acknowledgments
Introduction
Fragments: Production, Consumption, and the Readymade
Invention: Newspapers, Advertising, and the Origins of Collage
Critique: Collage and the Politics of the Cut
Nostalgia: Collage, Collecting and the Paste
Gleaning: Everyday Life in Collage Culture
Conclusion: From the Twentieth-Century’s Cutting Edge to the Twenty-First-Century Copy
Notes
Bibliography
Image Credits
Index