Concepts on the Move

Erscheinungsjahr 2002
ISBN: 978-90-420-1269-1
Verlag: Brill | Rodopi

Buch, Englisch, Band 17, 195 Seiten, Format (B × H): 155 mm x 230 mm, Gewicht: 426 g

Reihe: Lier & Boog

In order to give an impetus to the production of an apparatus of aesthetic concepts, in line with Deleuze and Guattari’s claim to create new concepts for a changing world, this volume publishes statements and discussions of ten Concept on the Move workshops, as well as texts and discussions of the concluding Concept on the Move symposium. The integral outcome of the workshops, the symposium and the discussions does not, however, present some sort of blueprint for the future of visual art and aesthetics. If one wished to designate the Concepts on the Move publication in one notion at all that definitively could only be TOOLKIT. A TOOKIT in the sense of a great collection of ideas, topics, issues, notions, and concepts emerging in the 21st-century world of visual art and theory. They indeed could serve as an impetus for the construction and production of a body of theoretical work fit to understand today’s technological, theoretical, and artistic developments in the art world. Are concepts on the move? Yes, they are, and they always will be on the great journey visual art takes them.

Autoren/Hrsg.

Weitere Mitwirkende

Balkema, Annette W.

Slager, Henk

Fachgebiete

• Geisteswissenschaften Philosophie Ästhetik
• Geisteswissenschaften Kunst Kunst, allgemein Kunsttheorie, Kunstphilosophie
• Geisteswissenschaften Kunst Kunstgeschichte Kunstgeschichte: 20./21. Jahrhundert

Inhaltsverzeichnis

STATEMENT
Annette W. Balkema and Henk Slager Prologue
Henk Slager, Newesthetics

SEMINARS
ANTWERP, Prolegomena (Bart de Baere, Patricia de Martelaere, Herman Parret, Johan Pas, Kurt Vanbellegem)
KARLSRUHE, Immaterial Communication (Ursula Frohne, Boris Groys, Peter Weibel)
LJUBLJANA, Information Strategies (Minerva Cuevas, Eda Cufer, Thomas Feuerstein, Lev Kreft, Hans Ulrich Obrist, Gregor Podnar, Natascha Sadr Haghighian, Apolonia Sustersic)
LONDON, Aesthetics of the Seamless (Norman Bryson, Mark Gisbourne, Sharon Morris, Andrew Renton, Irit Rogoff)
MAASTRICHT, Institution and Research (Nadezda Cacinovic, Sue Golding, Sarat Maharaj)
NEW YORK, Cultural Conditions (Benjamin H.D. Buchloh, Lynne Cooke, John Rajchman)
OSLO, Artistic Language Games (Doris Frohnapfel, Stian Grøgaard, Gunnar Liestøl, Andrew Morrison)
PARIS, Collaboration (Jean-François Chevrier, Hou Hanru, Jerome Sans)
TOKYO, Aesthetic Discourses (Curtis L. Carter, Joanna Lee, Jos de Mul, Arto Haapala, Heinz Paetzold, Richard Woodfield, Hiroshi Yoshioka)
VENICE, Curatorial Strategies (Annette W. Balkema, Dan Cameron, Chris Dercon, Danielle Goldoni)
SYMPOSIUM
Daniel Birnbaum, Thierry De Duve, Anne-Marie Duguet, Bartomeu Mari, Michael Newman
PARTICIPANTS