Curtis / Fenner The Autobiographical Turn in Germanophone Documentary and Experimental Film

1. Auflage 2014
ISBN: 978-1-78204-326-3
Verlag: De Gruyter
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, Band 11, 350 Seiten

Reihe: Screen Cultures: German Film and the Visual

A volume of essays marking out a new, historically and culturally specific model for contemplating autobiographical non-fiction film and video.

Autoren/Hrsg.

Curtis, Robin

Fenner, Angelica

Fachgebiete

• Geisteswissenschaften Literaturwissenschaft Deutsche Literatur
• Geisteswissenschaften Theater- und Filmwissenschaft | Andere Darstellende Künste Filmwissenschaft, Fernsehen, Radio Filmgeschichte

Inhaltsverzeichnis

Preface and Acknowledgments
Introduction
"If people want to oppress you, they make you say 'I'": Hito Steyerl in Conversation
The Impertinence of Saying "I": Sylvia Schedelbauer's Personal Documentaries
Geography of a Swiss Body: Peter Liechti's Hans im Glück
Reading Helke Misselwitz's Winter Adé as Multivocal Autobiography
How Does It Feel to Be Foreign? Negotiating German Belonging and Transnational Asianness in Experimental Video
Frankfurt Canteen: Eva Heldmann's fremd gehen. Gespräche mit meiner Freundin
Mediated Memories of Migration and the National Visual Archive: Fatih Ak?n's Wir haben vergessen zurückzukehren
History Runs through the Family: Framing the Nazi Past in Recent Autobiographical Documentary
Clearing Out Family History: Thomas Haemmerli's Sieben Mulden und eine Leiche
Re-Authoring the Self: Brinkmann's Zorn
From Death to Life: Wim Wenders, Autobiography, and the Natural History of Cinema
"Ich bin's, Fassbinder," or The Timing of the Self
Filmography and Sources
Bibliography
Notes on the Contributors
Index