Discern(e)ments

Deleuzian Aesthetics / Esthétiques deleuziennes
Erscheinungsjahr 2004
ISBN: 978-90-420-1812-9
Verlag: Brill | Rodopi

Buch, Englisch, Französisch, Band 251, 310 Seiten, Format (B × H): 150 mm x 220 mm, Gewicht: 517 g

Reihe: Faux Titre

A bilingual collection of essays on the aesthetics of Gilles Deleuze, Discern(e)ments highlights what is at stake in Deleuzian philosophy of art. It traces the reception of Deleuzian thought in a broad range of disciplines and gauges its use-value in each of them. Following the dynamics between structure and becoming that punctuates Deleuzian aesthetics, Discern(e)ments sketches and erases boundaries between methods and traditions in philosophy and art theory, as well as in literary, performance and film studies. Offering both numerous case-studies as well as theoretical outlines, Discern(e)ments engages faculties, disciplines and criticisms not in a mere exchange of points of view, but in heterogenesis mapping out further discernments in Deleuzian aesthetics.

Autoren/Hrsg.

Weitere Mitwirkende

Bloois, Joost de

Houppermans, Sjef

Korsten, Frans-Willem

Fachgebiete

• Geisteswissenschaften Kunst Kunst, allgemein Kunsttheorie, Kunstphilosophie
• Geisteswissenschaften Philosophie Ästhetik
• Interdisziplinäres Wissenschaften Wissenschaft und Gesellschaft | Kulturwissenschaften Kulturwissenschaften

Inhaltsverzeichnis

Acknowledgments
Preface
OUTLINES
Thomas POELL: Movement and time in cinema
Isabelle GINOUX: De l’histoire de la philosophie considérée comme un des beaux-arts: le portrait conceptuel selon Deleuze
Pascal CHABOT: Deleuze et l’énigme de la création artistique
Peter van ZILFHOUT: Aesthetic Experiences
SENSATION/FIGURE
Sjef HOUPPERMANS: PUI(T)S: Deleuze et Beckett
Eric ALLIEZ: The BwO Condition Or, The Politics of Sensation
Joost de BLOOIS: Bartleby, du Scribe: ‘personage conceptuel’ et ‘figure esthetique’ dans la pensée de Gilles Deleuze
Maake BLEEKER: The AB,C’s of différance: Jan Ritsema and the Relationality of Theatrical Presence
Patricia PISTERS: ‘Touched by a Cardboard Sword’: Aesthetic Creation and Non-Personal Subjectivity in Dancer in the Dark & Moulin Rouge
Catherine LORD: Becoming Still, Still Moving: Theoretical Pleasure in Sally Potter’s Orlando
Mary BRYDEN: “Être traître à son propre règne”: Deleuze’s Aesthetic of Betrayal
GEO-AESTHETICS
Karl MIKKONEN: Catamorphosis, Becoming and Minor Literature: David Malouf’s Remembering Babylon as a Deleuzian Experiment in the Culturally Hybrid
Christa STEVENS: De la société répétée à une mondialisation imprevisible: les discours insulaires de Gilles Deleuze et d’Edouard Glissant
Alain FRANÇOIS: L’esthétique chez Deleuze: une theorie politique des sensations
Sasha VOJKOVIC: Hong Kong Cinema and the Art of Countering Territorial Regimes: Women Warriors, Wicked Eunuchs and Socces Players from Shaolin
Frans-Willem KORSTEN: Space and the Sense of History: Gilles Deleuze Meets Baroque Playwright Joost van den Vondel
Bibliography
About the authors