Donovan / Elliott Music and Literature in German Romanticism

1. Auflage 2004
ISBN: 978-1-57113-645-9
Verlag: De Gruyter
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, Band 1, 266 Seiten

Reihe: Studies in German Literature Linguistics and Culture

Essays on the synthesis of the musical and literary arts in German Romanticism.

Autoren/Hrsg.

Donovan, Siobhán

Elliott, Robin

Weitere Mitwirkende

Huebener, Andrea

Hill, David

Larkin, David

Parsons, James

Riou, Jeanne

Barkhoff, Juergen

Byrne, Lorraine

Loges, Natasha

Littlejohns, Richard

Bach, Stefanie

Straessle, Thomas

Keil, Werner

Fachgebiete

• Geisteswissenschaften Literaturwissenschaft Deutsche Literatur
• Geisteswissenschaften Musikwissenschaft Musikgattungen Sinfonische Musik & Ensembles

Inhaltsverzeichnis

Iniquitous Innocence: The Ambiguity of Music in the Phantasien über die Kunst (1799) - Richard Littlejohns
The Cosmic-Symphonic: Novalis, Music, and Universal Discourse -
"Das Hören ist ein Sehen von und durch innen": Johann Wilhelm Ritter and the Aesthetics of Music - Thomas Straessle
Music and Non-Verbal Reason in E. T. A. Hoffmann - Jeanne Riou
Perceptions of Goethe and Schubert - Lorraine Byrne
Goethe's Egmont, Beethoven's Egmont - David Hill
A Tale of Two Fausts: An Examination of Reciprocal Influence in the Responses of Liszt and Wagner to Goethe's FaustFaust - David Larkin
Musical Gypsies and Anti-Classical Aesthetics: The Romantic Reception of Goethe's Mignon Character in Brentano's Die mehrenen Wehmüller und ungarische GeschichterDie mehrenen Wehmüller und ungarische Geschichter - Stefanie Bach
Stages of Imagination in Music and Literature: E. T. A. Hoffmann and Hector Berlioz - Andrea Huebener
The Voice from the Hereafter: E. T. A. Hoffmann's Ideal of Sound and Its Realization in Early Twentieth-Century Electronic MusicElectronic Music - Werner Keil
"My song the midnight raven has outwing'd": Schubert's "Der Wanderer," D. 649 - James Parsons
The Notion of Personae in Brahm's "Bitteres zu sagen denkst du": op. 32, no. 7: A literary key to musical performance? - Natasha Loges
Robert Schneider's Schlafes Bruder -- a Neo-Romantic Musikernovelle? - Juergen Barkhoff

Über Autor(innen)

Donovan Siobhán:
SIOBHÁN DONOVAN is Lecturer in German Studies at University College Dublin.Loges Natasha:
NATASHA LOGES is Head of Postgraduate Programmes at the Royal College of Music and has co-edited Brahms in the home and the concert hall: Between private and public performance and contributed to the Cambridge History of Musical Performance and is currently co-editing Johannes Brahms in Context. As a song accompanist, she has performed in various venues overseas and in the UK.