Donovan / Euchner Edinburgh German Yearbook 13

Music in German Politics / Politics in German Music
1. Auflage 2022
ISBN: 978-1-78744-595-6
Verlag: De Gruyter
Format: PDF
Kopierschutz: Adobe DRM (»Systemvoraussetzungen)

E-Book, Englisch, Band 13, 198 Seiten, Format (B × H): 152 mm x 228 mm

Reihe: Edinburgh German Yearbook

Volume 13 deals with the interaction of music and politics, considering a broad range of genres, authors, composers, and artists in Germany since the nineteenth century.

Autoren/Hrsg.

Donovan, Siobhán

Euchner, Maria

Weitere Mitwirkende

Gassner, Florian

Robb, David G

Donovan, Siobhán

Euchner, Maria

Brandes, Peter

Hurley, Andrew Wright

McGowan, Moray

Lawson, Matt

Goebel, Rolf J.

Marx, Wolfgang

Fachgebiete

• Sozialwissenschaften Politikwissenschaft Politikwissenschaft Allgemein Politische Geschichte
• Geisteswissenschaften Musikwissenschaft Geschichte der Musik
• Sozialwissenschaften Politikwissenschaft Politikwissenschaft Allgemein Politische Theorie, Politische Philosophie
• Geisteswissenschaften Literaturwissenschaft Deutsche Literatur

Inhaltsverzeichnis

Contents
Introduction: Music and/as Politics in the German Context
Maria Euchner and Siobhán Donovan
Part I. Appropriations and Misappropriations
Martin Luther in Nineteenth-Century Music, Literature, and Politics
Florian Gassner
The 1848 Revolutionary Lyrics of Hoffmann von Fallersleben, Herwegh, and Freiligrath in the German Folk Song Movement
David Robb
"Der Kampf geht weiter": The Politics of Cover Versions in German Punk Rock
Peter Brandes
Son of Kraut and an Old Herero? The Politics of German Pop Musical Memory around 1990
Andrew Wright Hurley
Part II. The Political Gesamtkunstwerk: Opera and Film
Der Kaiser von Atlantis oder Die Tod-Verweigerung: Opera as Political Defiance
Maria Euchner
"Volk eilt herzu": Beethoven's Opera Fidelioin Dresden on October 7 and 8, 1989, and Its Ambivalent Afterlife
Moray McGowan
Soundtracks of the Holocaust in East and West German Cinema: Jakob der Lügner (1974) and Hitler, ein Film aus Deutschland (1977)
Matt Lawson
Part III. The Uses and Abuses of Music and PoliticsPolitical Ideology, Authentic Performance, and the Romantic Metaphysics of Music: The Case of the Pianist Elly Ney
Rolf J. Goebel
The Spirits of Utopia and of Disenchantment: Ernst Bloch, Hope, and Music in the Age of Post-Truth
Wolfgang Marx
Notes on the Contributors

Über Autor(innen)

Donovan Siobhán:
SIOBHÁN DONOVAN is Lecturer in German Studies at University College Dublin.Euchner Maria:
MARIA EUCHNER is a Faculty Fellow in the Foundation Year Program at the University of King's College in Halifax, Nova Scotia.Gassner Florian:
Florian Gassner received his PhD in Germanic Studies from the University of British Columbia; followed by lectureship at Mount Allison University, postdoctoral fellowship at the New Europe College in Bucharest, and DAAD-Lektorat at the Donetsk National University. He is Associate Professor of Teaching at the University of British Columbia.Robb David G:
DAVID ROBB is Senior Lecturer in Music at Queens University Belfast.Donovan Siobhán:
SIOBHÁN DONOVAN is Lecturer in German Studies at University College Dublin.Euchner Maria:
MARIA EUCHNER is a Faculty Fellow in the Foundation Year Program at the University of King's College in Halifax, Nova Scotia.Goebel Rolf J.:
ROLF J. GOEBEL is Distinguished Professor of German, Emeritus, at the University of Alabama in Huntsville.Marx Wolfgang:
WOLFGANG MARX is Associate Professor of Historical Musicology at University College Dublin. He is co-editor with Louise Duchesneau, of György Ligeti. Of Foreign Lands and Strange Sounds (Boydell Press, 2011) and with Nicole Grimes and Siobhán Donovan (eds), Rethinking Hanslick. Music, Formalism, and Expression(URP, 2013).